MusicWeb International One of the most grown-up review sites around   2022
 57,903 reviews
   and more ... and still writing ...

Search MusicWeb Here
Acte Prealable Polish CDs

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Support us financially by purchasing this from

Castillos de viento
Hebert VÁZQUEZ (b. 1963)
El jardín del pasaje púrpura (1995) [6:03]
Michael FRIDAY (b. 1961)
Five Haiku (2013) [8:48]
Shafer MAHONEY (b. 1968)
Shining River (2007) [9:06]
Chen YI (b. 1953)
Three Bagatelles from China West (2006/2014) [9:27]
Jesse JONES (b. 1978)
Sonata (2015) [23:02]
Duo Damiana: Molly Alicia Barth (flute), Dieter Hennings (guitar)
rec. Beall Concert Hall, University of Oregon, Eugene; Clonick Hall, Oberlin Conservatory (Jones); dates not given.
INNOVA 982 [56:28]

Duo Damiana consists of Grammy-Award winning flutist Molly Alicia Barth and prizewinning and widely recorded guitarist Dieter Hennings, and we should count ourselves fortunate that these talents have joined forces and are on the side of performing new music.

The title of Hebert Vázquez’s El jardín del pasaje púrpura (‘the garden of the purple passage’) refers to a Japanese garden with cherry blossoms. The first section is characterised by virtuoso complexity, with vital rhythms and an intense interaction between the instruments, with a keen ear for detail of timbre and silence. This moves into a more meditative second section in which wisps of wind seem to flicker amongst the blossoms. The poetry of this opening work takes us nicely into Michael Fiday’s Five Haiku; “a set of varied reflections on texts by 17th century Japanese haiku master Matsuo Basho.” These haiku are all printed in the insert, so our imaginations are taken on flights of concentrated imagery that includes reflected moonlight, the chase of wildlife, folksong and inner journeys. Judicious use of instrumental effects add extra dimensions to both of these works, highlighting their musicality rather than waking us into avant-garde aversion, these musicians playing such elements as naturally as conventional notes and making everything sound ‘just right’.

Shining River by Shafer Mahoney is the first bit of tonal lyricism on this album, and it is perfectly placed to take us into a gentle and reflective realm at the heart of the programme. John Muir’s descriptions of water moving from the Sierra Nevada mountains in all its forms formed the inspiration for this superbly crafted and structured work. Chen Yi’s Three Bagatelles from China West is arrangement for flute and guitar of an original with piano. This is music that descends from the Chinese folk tradition, but written in a distinctive modern idiom, sending the flute into bamboo-flute heights, and using the guitar at times as something banjo-like. There is a quasi-jazz feel to some of this music, approaching something blues-like but keeping faith with its ethnicity, and delivering something with its own uniquely authentic attractiveness.

Jesse Jones’s Sonata “uses Classical forms and Romantic gestures within the framework of contemporary harmony.” This manifests itself in movements with Sonata and Rondo forms, but in music that skilfully gives each instrument both independence and unity of interaction. Tonalities are blurred but never entirely absent, so this is by no means atonal music. It does however have an enigmatic, abstract quality that gives the listener both imaginative space and intellectual stimulation. I love the expressive Lento third movement, and there is plenty of virtuosity and rhythmic spark elsewhere – this was after all written specially for Duo Damiana.

This is a well-recorded and superbly performed recital of some excellent new music for flute and guitar. It certainly kept me enthralled from beginning to end, so I have every faith it will do the same for you.

Dominy Clements
 

 



Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All APR reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount