53,674 reviews
and more.. and still writing ...




selling Internationaly

Founder: Len Mullenger                                     Editor in Chief: John Quinn              

Some items
to consider

Chopin Edition 17CDs
now available separately
£11 post-free anywhere


100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas

Mozart Brahms
Clarinet Quintets


Recordings of the Month


Jean-Baptiste LEMOYNE

Enescu Ravel Britten

Debussy Images etc.

53 Studies on Chopin Études 1
Konstantin Scherbakov (piano)



Che fai tù? - Villanelles

Cyrillus KREEK
The suspended harp of Babel

violin concertos - Ibragimova

Peteris VASKS
Viola concerto - Maxim Rysanov

The Complete Lotte Schöne




Support us financially by purchasing this from

Dmitri SHOSTAKOVICH (1906-1975)
Symphony No. 5 (1937)
NDR Elbphilharmonie Orchester/Krzysztof Urbański
rec. 2017, Großer Saal, Elbphilharmonie, Hamburg
ALPHA 427 [46.16]

This is Polish conductor Krzysztof Urbański’s fifth album with NDR Elbphilharmonie Orchester on the Alpha label. In the 2015/16 season Urbański became principal guest conductor of the NDR Elbphilharmonie Orchestra then named NDR Sinfonieorchester; changing to its present name in 2016 when it took up residence at the newly opened Elbphilharmonie. Following albums of Lutosławski, Dvořák, Rachmaninov and Stravinsky, Urbański and NDR Elbphilharmonie Orchester have now turned their attention to Shostakovich’s Fifth Symphony, a twentieth-century masterpiece.

There can’t be too many classical music lovers unaware that Shostakovich agreed to his Fifth Symphony being titled ‘A Soviet Artist’s Response to Just Criticism’. In 1934 Soviet leader Josef Stalin attended a performance of Shostakovich’s ‘Lady Macbeth of Mtsensk’ and was appalled by the opera’s content. Two days later Soviet state newspaper Pravda ran a condemnatory editorial titled ‘Muddle Instead of Music’ denouncing and banning the opera and placing Shostakovich in a disturbing state of dishonour. To hopefully rehabilitate himself with the Soviet Authorities Shostakovich completed his Fifth Symphony, a score more openly conservative in style, and its première in 1937 at Leningrad was a triumph. After Shostakovich’s new and frightening denunciation in 1948 it was Kurt Sanderling who conducted the first revival of the work.

With Urbański at the helm in the opening Moderato movement, striking is the brilliantly rich and voluminous sound that comes through the cellos and double basses. With playing of cool, stark beauty overall the emotional effect Urbański creates is one of agonising bleakness with a nail-biting tension. I relish the central section so impressively built, erupting at point 10.06 and sustaining plenty of raw power. At 12.50 the concluding passage of relative calm with its undertow of tension provides a modicum of welcome relief. Infused with nervous energy the brief Scherzo swirling and light-headed, often equated to communicating the spirit of Mahler, contains a sardonic waltz with a forced, tongue-in-cheek quality. Despite what has gone before in Urbański’s hands shafts of light are certainly shining meaningfully through the murk. Scored without brass the agonising Largo under Urbański projects emotional vulnerability, deep despair and intense introspection. Here Urbański creates the chilling scene of an intensely desolate landscape laid to waste. At point 7.00 a dramatic passage is begun gently by the flute and taken up by the strings. The writing gradually develops in power before falling away at 10.55 leaving behind a strange feeling of anxiety and disorientation. It’s hard not to praise the orchestra enough in this movement. In the Finale I love the way the brass and woodwind swiftly leap up from their slumber with martial-like passages full of swagger, vigour and stirring drama. Matching the raw power of Kurt Sanderling and his Berlin players, Urbański astutely develops an urgent and energetically driven forward momentum. The percussion at 3.17-3.24 feels like a ferocious barrage of rifles and canons. A shiver runs down the spine as the music rushes impetuously to an awe-inspiring conclusion of outward triumph, magnificently from 8.47 to the conclusion. More than a match for most under Urbański, NDR Elbphilharmonie Orchester give a performance that feels totally sincere with quite marvellous sound. This is a thrilling performance of both physical impact and deep emotional intensity. Recorded at Großer Saal, Elbphilharmonie, Hamburg the sound quality is clear and well balanced. I did detect very slight reverberation but nothing that concerned me. A booklet essay written by Urbański provides an insightful
view of the Fifth Symphony.

There are several outstanding accounts of Shostakovich’s extremely popular Fifth Symphony in the catalogue. My leading recommendation is the 1982 Christuskirche, Berlin account from Kurt Sanderling with the Berliner Sinfonie-Orchester for its depth, power and overwhelming emotion. Reissued on Berlin Classics the recording has been remastered from the original Eterna master tapes (review). Recommendable too for its consistency and considerable insights is Rudolf Barshai with the WDR Sinfonieorchester Köln recorded in 1996 on Brilliant Classics. Standing comparison with the finest accounts Krzysztof Urbański presides over a thrilling performance from NDR Elbphilharmonie Orchester of both physical impact and deep emotional intensity.
Michael Cookson


Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Click to see New Releases
Get 10% off using code musicweb10

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger