One of the most grown-up review sites around

51,000 reviews
and more.. and still writing ...

Search MusicWeb Here



International mailing

  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  

Some items
to consider


colourful imaginative harmony
Renate Eggebrecht violin

Brahms Symphony 3
Dvorak Symphony 8
9 cello sonatas
Piano Music

Clara Schumann
piano concerto

Asmik Grigorian

Breathtaking Performance
controversial staging
Review Westbrook
Review Hedley n/a
Every lover of Salome should see this recording
Mullenger interpretation

Vraiment magnifique!

Quite splendid

Winning performances

Mahler Symphony 8
a magnificent disc

a huge talent

A wonderful disc

Weinberg Symphonies 2 & 21
A handsome tribute!

Roth’s finest Mahler yet

Mahler 9 Blomstedt
Distinguished performance


Support us financially by purchasing this from

Les Vendredis
Pieces for String Quartet from Belaieff’s Friday Concerts (1899)
Szymanowski Quartet (Grzegor Kotow, Agata Szymczewska (violins), Volodia Mykytka (viola), Marcin Sieniawski (cello))
rec. SWR Kammermusikstudio, Stuttgart, Germany, December 2015
SWR MUSIC SWR19034CD [77:35]

This CD brings together a series of pieces, mainly by Russian composers, performed at Friday night musical evenings at the St. Petersburg mansion of the tycoon and musical visionary, Mitrofan Petrovitch Belaieff. He had made millions in the lumber trade. Through his love of music—he was by all accounts a gifted amateur viola player—and his contacts, he was able to create a series of evening concerts where he and his friends would indulge their love for the string quartet. He was especially interested in furthering the case for Russian nationalist music. In 1885, he founded a music publishing firm with offices in St. Petersburg and Leipzig, the music publishing centre of Europe. His aim was to further disseminate Russian music. It was through this action that Belaieff’s Friday Concerts soon began to attract some of the composers whom he published. Some, known as the “Belaieff Circle”, became regulars at the concerts, and even composed pieces specifically to be performed at the concerts. Belaieff, as it were, was seen to fill the void left by the breakup of the “Mighty Handful” as the champion of the nation’s music.

There have been a few other recordings of this wonderful series of pieces, including the very fine version by the Dante Quartet on the late lamented ASV label (CD QS 6229). Whereas the Dantes altered the order of the sequences of pieces, the Szymanowski Quartet present them in the order intended, beginning with the Preludio and Fuga by Glazunov. I feel the Szymanowskis make a stronger case for these pieces from the off. It certainly makes more of a point than the Blumenfeld Sarabande that the Dantes begin with.

There is some lovely music here. Yes, some of the pieces can be described as salon music, but others—such as the Scherzo in D Minor by Sokolov—show real mastery of the medium. It was Glazunov’s quartet movements presented here which would ultimately lead me to invest in the wonderful set of his complete string quartets by the Utrecht String Quartet on Dabringhaus und Grimm, although the two pieces do not appear on any of their five CDs of his music.
This is a disc that offers the listener enjoyment throughout, whether it be the more salon-like music of Vītols’ Menuet and Lyadov’s Mazurka, or the more important works such as those by Borodin, whose Scherzo is probably the best known piece here—it was used in the second movement of his unfinished Third Symphony—and by Rimsky-Korsakov. There are pieces that would prove to be ideal as short and enjoyable encores during string quartet concerts, whilst the longer works could easily be incorporated into the body of a concert.

The Szymanowski Quartet give a performance that is more detailed and a little slower than the Dantes. This also gives some of the pieces a little more gravitas, and the recording is cleaner and brighter. The ASV recording sounds a little old-fashioned and a bit too warm. Where this new recording is a real winner is in the booklet essay. It is detailed and much appreciated, especially when it comes to the lesser-known composers. This is a series of pieces guaranteed to lift your spirits, and a recording to match.

Stuart Sillitoe

Track Listing
Book I
Alexander GLAZUNOV (1865-1936)
1. Prelude & Fugue in D Minor [11:04]
Nikolay ARTCIBOUCHEV (1858-1937)
2. Serenade in A Major [4:12]
Nikolay SOKOLOV (1859-1922) - Alexander GLAZUNOV - Anatoli LIADOV (1855-1914)
3. Polka in D Major [5:28]
Jāzeps VĪTOLS (1863-1948)
4. Menuet in B-Flat Major [3:42]
5. Canon 3 voci in D [3:35]
Maximilian D’OSTEN-SACKEN (1876-1900)
6. Berceuse in B Minor [3:21]
Anatoli LYADOV
7. Mazurka in D Major [2:31]
Felix BLUMENFELD (1863-1931)
8. Sarabande in G Minor [4:11]
9. Scherzo in D Minor [6:35]
Book II
Nikolay RIMSKY-KORSAKOV (1844-1908)
10. Allegro in B-Flat Major [8:51]
Anatoli LYADOV
11. Sarabande in G Minor [3:19]
Alexander BORODIN (1833-1887)
12. Scherzo in D Major [11:03]
Anatoli LYADOV
13. Fugue in D Minor [2:36]
14. Mazurka in A Minor [1:43]
Alexander GLAZUNOV
15. Courante in G Major [2:06]
Alexander KOPYLOV (1854-1911)
16. Polka in C Major [3:09]



We are currently offering in excess of 51,000 reviews

Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger