One of the most grown-up review sites around
One of the most grown-up review sites around

Search MusicWeb Here
 

 

International mailing

  Founder: Len Mullenger              Founding Editor: Rob Barnett              Contact Seen and Heard here

Some items
to consider

  • Henze Kammermusik 1958
  • Mozart Flute Quartets
  • Schubert complete piano works
  • Sammartini: 6 Concerti grossi
  • Henze Kammermusik 1958
 
Tudor



CD and Blue-ray Audio


CD and Blue-ray Audio


CPE Bach Cantatas
a revelation


Biber: Sacred Choral Works
Don't miss it


Jonathan Dove


Tommie Haglund
Unique and Powerful music


Organ Fireworks


Highly Entertaining


A triumphant performance


Bruckner Symphony 4
One of the finest I have heard


A most joy-inducing recording


A winning partnership


A Lohengrin to treasure.

 

REVIEW Plain text for smartphones & printers

Support us financially by purchasing this from
 

Moritz MOSZKOWSKI (1854-1925)
Suite in G minor for two violins and piano, Op.71 [18:18]
Darius MILHAUD (1892-1974)
Sonata for two violins and piano, Op.15 (1914) [17:37]
Bohuslav MARTINŮ (1890-1959)
Sonatina for two violins and piano, H.198 (1930) [12:27]
Trio Koch
No recording details
ETCETERA KTC 1543 [48:59]

This is a most unusual mix of composers in the itself unusual genre of works cast for two violins and piano. It helps that the three musicians are all family members; the Trio Koch is made up by the two violinists, father Philippe and daughter Laurence, and by son Jean-Philippe at the piano. Harmonious relations are thus ensured.

Moszkowski is best known for his salon-based piano charmers and virtuoso effusions, not least the wrist-crippling Études de virtuosité. Writing for his own instrument and the two violins in the Suite provides him with tremendous opportunities for imitative writing to which the Trio Koch respond with breadth of tone and ripe sonority. Though he was born in Breslau Moszkowski mines the Viennese waltz songbook in his quick-witted Scherzo, and encourages warm but not cloying sentiment in the slow movement. Quicksilver articulation, fast bowing and deft piano placement, animates the vivid finale – the trio catches the allied light-hearted vein perfectly, too.

Milhaud’s Sonata is an early work and, as with so many such works of his, it’s full of creative wit. Its generosity of feeling has a dance-like vitality and even in the refined polytonality of the central movement one finds a lullaby-like softness and charm. The March theme that drives the finale is emphatically projected by the trio, which sounds fully inside the idiom. The best-known of this trio of works is Martinů’s Sonatina. It is full of typical rhythmic patterns of his 1930 self. The compressed and quietly passionate central movement was played at his funeral, and is worthily done here whilst the finale is one of his bracing and excitingly voiced poco allegros.

No recording details, either location or date, are given which is a shame as the location and the engineering are highly sympathetic. At times the piano can be heard to dominate the ensemble but that may be because Jean-Philippe is inclined to take the lead in places. The notes are helpful. At 49-minutes strict judges would have wanted more on the programme.

Jonathan Woolf

Previous review: Brian Reinhart

 

 




Gerard Hoffnung CDs

Advertising on
Musicweb



Donate and get a free CD

 

New Releases

Naxos Classical



Musicweb sells the following labels
Acte Préalable
(THE Polish label)
Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Vacant
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger