One of the most grown-up review sites around


Search MusicWeb Here

     
  
 

 

International mailing


  Founder: Len Mullenger             Senior Editor: John Quinn               Contact Seen and Heard here  

Some items
to consider


16th-19th November


Shostakovich 4, 11 Nelsons
Transparent Granite!


Nothing but Praise


BrucKner 4 Nelsons
the finest of recent years.

superb BD-A sound

This is a wonderful set


Telemann continues to amaze


A superb disc

Performances to cherish

An extraordinary disc.

rush out and buy this

I favour above all the others

Frank Martin - Exemplary accounts

Asrael Symphony
A major addition


Another Bacewicz winner


match any I’ve heard


An outstanding centenary collection


personable, tuneful, approachable


a very fine Brahms symphony cycle.


music that will be new to most people


telling, tough, thoughtful, emotionally fleet and powerfully recorded


hitherto unrecorded Latvian music

 


Support us financially by purchasing this from

Sergei RACHMANINOV (1873-1943)
Sonata for cello and piano in G minor, Op. 19 [34:56]
Sergei PROKOFIEV (1891-1953)
Sonata for cello and piano in C, Op. 119 [23:37]
Pyotr Ilyich TCHAIKOVSKY (1840-1893)
Romance (No. 5: Andante cantabile, from 6 Pieces, Op. 51) [5:21]
Meditation (No. 5 from 18 Pieces, Op. 72) [3:57]
Nina Kotova (cello)
Fabio Bidini (piano)
rec. Caruth Hall, SMU, Dallas, December 2014
Booklet notes in English, French & German
WARNER CLASSICS 9029 592460 [67:52]

From the outset I was troubled by balance issues in this release. Nina Kotova, as recorded, has a diminutive presence, shy and retiring almost. Her tone, though warm and sweet, is vibrato-laden and quite tremulous. Meanwhile her accompanist Fabio Bidini seldom holds back, pursuing a typically muscular piano line through the Rachmaninov and Prokofiev sonatas which now becomes the dominant voice, a bully even, over the cello’s cowering fragility. Technically they are ‘together’, but musically they seem to be worlds apart, all but oblivious to each other.

What this means for the Rachmaninov sonata is a change in character: as the opening Lento - Allegro moderato unfolds, the cello’s elaborations on themes introduced by the piano emerge more as meek offerings than the responses of an equal. The helter-skelter second movement becomes an uneven race, the cello puffing in pursuit, its legato interludes almost pleading for respite. Some equilibrium is restored in the Andante, but now in a mood more of consolation, perhaps even earnest counselling. The therapy doesn’t seem to work, however, and they resume in the Allegro finale firmly back in their respective corners, Bidini playing to a full house while Kotova again retires to the drawing room.

If the Prokofiev sonata comes off a little better, it could be down to its more angular nature, and the greater separation of the parts. But the problem is now more of complexion than character, as Kotova’s delicately sensuous bouquet just doesn’t seem right for the piece. She is accurate, elegant and assured, but hardly adventurous, at least for Prokofiev. Where are the attack and the edge, the sly humour, and the brilliantly coloured sound world? This is late Prokofiev, certainly, in which his style becomes more introverted and ruminative, and from a time when he was under the Soviet microscope, accused of ‘formalism’. But the power and imagination are still there, and Prokofiev, you feel, would never want to be played with mere respect or, as here, verging on the valedictory.

Things do come together in the Tchaikovsky makeweights, Kotova’s musicianship now hitting the sweet spot, and with Bidini in sympathetic support, they create ten minutes of aural balm. But these are slight pieces, tasty confections at best, and it’s too late – the real musical meal was in the two main courses, and they’ve already been adjudicated.

Des Hutchinson

 

 




Advertising on
Musicweb



Donate and keep us afloat

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount


Special offer 50% off

Musicweb sells the following labels
Acte Préalable
(THE Polish label)
Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Senior Editor
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Vacant
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger