MusicWeb International One of the most grown-up review sites around

  2022
 57,903 reviews
   and more ... and still writing ...

Search MusicWeb Here
Acte Prealable Polish CDs

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

 

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews


TROUBADISC
Troubadisc Weinberg- TROCD01450

100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas
All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Clarissa Bevilacqua plays
Augusta Read Thomas

all Nimbus reviews

Brahms Dvorak
Brahms 2 Dvorak 7
all tudor reviews

 

 


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

 

Discs for review may be sent to:
Jonathan Woolf
76 Lushes Road
Loughton
Essex IG10 3QB
United Kingdom

jonathan_woolf@yahoo.co.uk


 

REVIEW Plain text for smartphones & printers

Availability

Antonio ILLERSBERG (1882-1953)
Violin Concerto in G major (1906-11) [40:00]
Laura Bartolotto (violin)
Orchestra Nuove Assonaze/Adriano Martinolli D’Arcy
rec. Chiesa di S. Maria dei Servi, Lucca
Picture:16:9
Sound: 24/96
ACHORD PICTURES DVD (no number) [40:00]

Here’s a very interesting addition to the audio-visual catalogue. It’s the Violin Concerto of Trieste-born Antonio Illersberg. Orphaned at a very young age, his musical talent enabled him to study in Bologna under Luigi Torchi and Giuseppe Martucci. A fellow student was Respighi. Several years of military service in the Austrian Navy followed until in 1907 he won academic tenure at the Conservatory Giuseppe Verdi in his home town. Here he taught a wide range of talented students, amongst whom Dallapiccola stands out prominently. His compositions seem not to be too numerous but include major works like the Symphony in B flat major (1914), and a large-scale opera called Tritico, staged in 1949.

The other major large-scale work is the work that has been recorded here, the Violin Concerto of 1906-11. Illersberg began it shortly before the academic appointment that he was to hold almost until the end of his life. For some reason the work remained unperformed until its belated premiere in 1951, two years before the composer’s death. The full score and parts are now missing so what is performed is a reconstruction by the conductor Adriano Martinolli D’Arcy based on the violin and piano reduction and details heard in a live 1953 RAI broadcast of the work’s second performance.

It’s a classically conceived piece in three movements opening with some virtuoso flourishes for the soloist and plenty of vigorous late-Romantic swagger and sensitivity. Illersberg writes attractive melodies and his wind writing is especially felicitous and this contributes to the tremendous drive and energy of the first movement. There’s a lied-like quality to the slow movement where some lightly drawn Mahlerian influence can perhaps be felt. The flighty finale, full of verve and renewed rich orchestral palette shows some kinship with his erstwhile fellow student, Respighi. Much of the solo sound world is orientated to the violin’s upper strings which vests a bright, silvery almost aquiline patina. To all these challenges the young soloist Laura Bartolotto responds with marvellous assurance, and on the rostrum she has the secure support of the conductor who reconstructed the work. The orchestral forces are not big but effective.

Sonically, the church acoustic remains a little swimmy and there’s no denying the rather homespun nature of the visual direction. There’s a very strange series of shots of the first desk cellists which has the effect of us watching them in slow-motion. There also some ‘block squares’ going down the screen – an editing blip I suppose. Elsewhere the camera work is serviceable and honest but it’s certainly not in the Brian Large league – and nor would it claim to be: this is a specialist undertaking.

There are two talks, in Italian, after the concerto has ended. From outside the church the conductor discusses the work and composer, and Gianluca La Villa does likewise in a domestic setting. It would have helped for these important little talks to be subtitled for a more international audience as they contain much of interest.

Illersberg is an almost unknown composer but his Concerto has been well served here and I hope it will be commercially recorded on CD before too long, and that the 1953 archive tape will be issued too.

Jonathan Woolf

 

 



Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All APR reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Recordings of the Month

November 2022
Bach
Bach Orchestral Suites

del Cinque
Del Cinque Cello sonatas

Fujita Mozart
Mao Fujita Mozart

Stanczyk
Stanczyk Acousmatic Music

Oropesa

October 2022

Berg Violin Concerto
Violin Concerto Elmes

DEbussy Jeux
Debussy Jeux

Romantic pioano masters
Romantic Piano Masters

The future is female - Vol 2
Volume 2 - The Dance

impromptu harp music
Complete Harp Impromptus