One of the most grown-up review sites around

Search MusicWeb Here



International mailing

  Founder: Len Mullenger             Senior Editor: John Quinn               Contact Seen and Heard here  

Some items
to consider

Nothing but Praise

BrucKner 4 Nelsons
the finest of recent years.

superb BD-A sound

This is a wonderful set

Telemann continues to amaze

A superb disc

Performances to cherish

An extraordinary disc.

rush out and buy this

I favour above all the others

Frank Martin - Exemplary accounts

Asrael Symphony
A major addition

Another Bacewicz winner

match any I’ve heard

An outstanding centenary collection

personable, tuneful, approachable

a very fine Brahms symphony cycle.

music that will be new to most people

telling, tough, thoughtful, emotionally fleet and powerfully recorded

hitherto unrecorded Latvian music


REVIEW Plain text for smartphones & printers

Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Nimbus Podcast

Obtain 10% discount

Special offer 50% off

Musicweb sells the following labels
Acte Préalable
(THE Polish label)
Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Senior Editor
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger

Support us financially by purchasing this from

Béla BARTÓK (1881-1945)
Piano Concerto No.2, Sz95 (1930-31) [31:32] 
Pyotr Ilyich TCHAIKOVSKY (1840-1893)
Piano Concerto No.1 in B flat minor, Op.23 (1875, rev. 1879 & 1889) [35:10]
Johannes BRAHMS (1833-1897)
Intermezzo in E, Op.117 No.1 (1892) [5:00]
Géza Anda (piano)
SWR Radio Symphony Orchestra, Stuttgart/Hans Müller-Kray (Bartók) and Ferdinand Leitner (Tchaikovsky)
rec. November 1950, Stuttgart Untertürkheom ‘Krone’ (Bartók); March 1973, Liederhalle, Stuutgart (Tchaikovsky, Brahms)
HÄNSSLER CLASSIC CD 94.225 [71:58]

Géza Anda gave these concerto performances with the Stuttgart Radio Symphony Orchestra, almost a quarter of a century apart. The disc thus documents a musician who had developed and matured over a period of a generation, playing two works strongly associated with him. But one concerto was as yet not solidly part of his repertoire – it had yet to be stabilised interpretatively. It is thus fascinating to hear his performance of his compatriot Bartók’s Second Concerto, here given with conductor Hans Müller-Kray in November 1950. Those familiar with the soloist’s forays in this concerto – Praga has, for instance, recently reissued Anda’s broadcast performance with Fricsay and the RIAS orchestra in September 1953 on Praga PRD/DSD 350 108 - will know the general outline of his performances. These were to an extent moulded with Fricsay’s collaboration. Despite his familiarity with the work, this Stuttgart broadcast with the SWR sounds structurally tentative and collaboratively edgy. The proportions of the work are far broader than was later the case, especially the slow movement, which sounds out of scale and too disjunctive at this tempo. There is also some scruffy ensemble, which is perhaps not wholly reprehensible as the orchestra would have been largely unfamiliar with Bartók’s idiom and had probably never before played the concerto. What also rules it out is the sonics. The sound is very watery and dull – it applies to the piano as well as orchestra – and great chunks of detail go missing.
This 1950 visit was Anda’s first to the SWR orchestra but he was to return several more times. In 1973 he and Ferdinand Leitner performed the Tchaikovsky First – the same year the BBC taped him in Bartók’s Second [BBCL 4247-2]. As ever in this work – witness, say, another of his German broadcasts in his earlier collaboration with Solti and the Cologne Radio Symphony in 1958 [ICA Classics ICAC5092] - he marries poetic finesse and triumphant virtuosity. There are moments of spellbinding lyricism, as well as dramatic flourishes, none of which are marred by thumping. He was ever a natural poet of the keyboard, but one who could roar with the best of them. Fortunately the recorded sound here is excellent, and whilst some orchestral detail is smudged and there are some passing ensemble incidents this is a galvanizing reading through and through.
For Anda admirers here is an opportunity to hear his Bartók concerto in embryo, and to take pleasure in his Tchaikovsky.
Jonathan Woolf
Masterwork Index: Tchaikovsky piano concerto 1