Search MusicWeb Here


selling Internationaly

aSymphonies 1 and 5 £9.00 post free

See also Symphonies 2 and 3

Vision of Judgement £9 post free

Newest Releases


Symphonies 1,2,4 £11.75 post free

  Founder: Len Mullenger
Editor-in-Chief: Rob Barnett

Some items
to consider

 

  • Menuhin lost tapes
  • Overtures SACD
  • Krommer Flute Quartets
  • Schubert Piano Trios 2CD
  • Menuhin lost tapes


Let me tell you


David Pia


Beethoven Rattle


Highly Impressive


Matthews Shostakovich
Sheer delight!


To live with


outstanding retrospective


A superb celebration


flair, insight, controversy


outstanding singing

 


Sheer bliss


best thing I’ve heard this year

this really exciting release

 

REVIEW
Plain text for smartphones & printers


Gerard Hoffnung CDs

Advertising on
Musicweb



Donate and get a free CD

New Releases

Naxos Classical

Musicweb sells the following labels
Acte Préalable
Altus
Arcodiva
Atoll
CDAccord
Cameo Classics
Hallé
Hortus
Lyrita
Nimbus
Prima voce
Red Priest
Redcliffe
Retrospective
Saydisc
Sheva
Toccata Classics
Wyastone


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Editor in Chief
   
Rob Barnett
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Stan Metzger
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger

 

Support us financially by purchasing
this through MusicWeb
for £12 postage paid world-wide.

French Organ Music from the Golden Age - Volume 3
André RAISON (c.1650-1719)

Messe du premier ton (1688) [33:45]
Offerte du 5me ton (1687) [7:22]
Louis-Nicolas CLÉRAMBAULT (1676-1749)
Suite du premier ton (c.1710) [17:40]
Suite du deuxième ton (c. 1710) [16:44]
David Ponsford (organ)
rec. 8-10 July 2013, Abbey of Saint-Michel, Thiérache, Aisne, France.
NIMBUS ALLIANCE NI6268 [78:45]

David Ponsford’s excellent series of organ music from the French Golden Age reaches volume 3 with substantial works performed on a stunning instrument by Jean Boizard (c. 1675-1717). This organ is a remarkable survivor of two fires, the French Revolution and two world wars, and has remained essentially unmodified from its early 18th century origins.
 
André Raison is the less familiar of the two names represented here. He was one of the highest ranking organists in Paris in his day, and composed five organ masses. These are not always based on plainchant melodies and many of the movements have a secular connection to harpsichord dance forms of the time. This results in quite a lively feel for much of the piece, though there is a nice balance between these and the more stately music essential for the appropriate ecclesiastical atmosphere of certain parts of the service. Raison’s Messe du premier ton is something of a compendium of organ styles and moods, and perfect for demonstrating the qualities of the instrument played. The Offerte du 5me ton, Le vivre le roy des Parisiens celebrates the recovery of Louis XIV from a nasty operation, and is an exuberant work full of dance sections. The often spectacular registrations follow those specified by the composer.
 
Louis-Nicolas Clérambault was a pupil of Raison, and the two suites on this recording are dedicated to him. Clérambault was organist by royal appointment and a natural successor to Raison, composing in the same French Baroque tradition but showing a development in terms of scale and ever richer harmonic treatments. The two suites each have seven movements which would have been the requirement for an alternatim Magnificat: the organ couplets alternating with sung plainchant. Explorations of tonal contrast and dialogue as well as counterpoint and other aspects of French and Italian styles all join to create the kind of superb sequence in which you can just lie back and lose yourself, confident of inhabiting the sounds of the time in which these pieces were written.
 
The Clérambault works in particular are fairly popular on recordings, and there is even a version made using the same instrument in an otherwise vocal programme from the Virgin Veritas label (see review). David Ponsford’s superb series deserves support however, and truly rewards investment. A review of volume 1 can be found here, and volume 2 here. This third volume is something of a highlight but each has its own special character and they all belong together on your shelf of organ treasures.
 
Dominy Clements