In 
                    2006 it has become commonplace for people to take music with 
                    them wherever they go. Whether it be broadcast over radio 
                    waves or the internet or stored on CDs, in a portable MP3 
                    player, on a computer, or some other device. It is difficult 
                    for many of us to even conceive of a world where we don’t 
                    have a selection of our favorite music within reach. In the 
                    past it was far more difficult to have music without trained 
                    musicians to provide musical entertainment. The 19th 
                    century equivalent of the iPod was the barrel organ. Each 
                    barrel - similar to the cylinder on a music box, but interchangeable 
                    like a player-piano - would contain several songs and could 
                    be swapped to give a new playlist. 
                  
The 
                    navigator-explorer Sir William Edward Parry (1790-1855) was 
                    a man who would have appreciated the portable CD player. As 
                    such a device was not yet invented, he went with the best 
                    thing available. He purchased a top-of-the-line John Longman 
                    barrel organ to provide accompaniment during the crew’s daily 
                    calisthenics. The resulting piece of equipment was able to 
                    play tunes with the bellows-operated seven-stop pipe organ, 
                    a snare drum, bells and a triangle. 
                  
This 
                    CD is a recording of five barrels played on the barrel organ 
                    that accompanied Sir William on his voyages in search of the 
                    Northwest Passage 
                    (1819–1820, 1821–1823, and 1824–1825). This historic instrument 
                    played for the sailors and several encountered Eskimos between 
                    1819 and 1827. The sound is a bit raucous and the hand-cranking 
                    doesn’t produce the steadiest of tempos, but the instrument 
                    itself is shown to be in good working order. Each of the tracks 
                    plays several songs including selections of hymns, songs of 
                    national pride and traditional dance pieces. 
                  
The 
                    timbre of the instrument is a bit like that of a carnival 
                    organ. Its reed organ tones and bells sound much like something 
                    one might encounter on a vintage merry-go-round. Many of the 
                    pitches tend to dip in strange ways during some of the songs. 
                    The snare drum doesn’t always align quite accurately with 
                    the rest of the music. The overall effect though is of a delightful 
                    cacophony. It certainly must have taken a very talented engineer 
                    to create such a strange and wonderful device. Music like 
                    this is seldom encountered any more. This probably is a good 
                    thing, for if this was something one heard often it would 
                    probably wear the listener down quickly. The delight is in 
                    the rarity. As a rarity though, this is definitely fun fare.
                  
The 
                    primary audience for this disc must be the historian. This 
                    is an album that few people would play for simple enjoyment 
                    more than a few times. The novelty soon wears off, and without 
                    the actual device’s presence to remind the listener of the 
                    clockwork wizardry the album can quickly become wearisome. 
                    At 38 minutes long, one can make it through the entire album 
                    about once before the listener needs a rest and something 
                    else needs to be put in the CD changer. However it is an interesting 
                    disc, a monument to the engineering feat of John Longman, 
                    and the surest proof that everyone living in a modern age 
                    should be glad for the invention of the portable music player.
                  
Patrick 
                    Gary
                  
              
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