Now That's What I Call Brass: 
              Volume 3 
              Disc 1 [61:36] 
              Peter GRAHAM 
              Celebrate Rotary [3:40] ¤ 
              Harrison's Dream [15:13] ± 
              John WILLIAMS 
              arr. SMITH 
              
              Hymn to the Fallen [6:05] ¥ 
              Wilfred HEATON 
              Five Little Pieces [9:46] ¤ 
              John GOLLAND 
              Peace [4:28] #§ 
              Erik SILVERBERG 
              Tomado De La Mano [2:29] ª 
              Ray STEADMAN-ALLEN 
              In Quiet Pastures [7:07] ± 
              Stephen SONDHEIM 
              arr. SMITH 
              
              Comedy Tonight [2:47] ¥ 
              Joy WEBB 
              arr. Richard 
              PHILLIPS 
              There Will Be God [4:51] $µ 
              Philip SPARKE 
              Song and Dance [5:12] %¿ 
              Disc 2 [60:23] 
              George ALLAN 
              The Diplomat [2:50] ¥ 
              Andrew LLOYD-WEBBER 
              arr. HINES 
              
              The Music of the Night [5:08] ^÷ 
              Mikhail GLINKA 
              arr. HARDGREAVES 
              
              Overture to Ruslan and Ludmilla [5:03] 
              ¤ 
              Rodney NEWTON 
              Dimitri [4:58] *± 
              Jim SWEARINGEN 
              arr. SMITH 
              
              Valero [2:00] ¥ 
              Iver KLEIVE/Knut 
              REIERSRUD arr. RYDLAND 
              
              Nade [5:48] +ˇ 
              
              John WILLIAMS arr. 
              JENKINS 
              Olympic Spirit [2:58] ˜ 
              Norman BEARCROFT 
              The Word of Grace [4:14] ¢Π 
              
              Johan DE MEIJ 
              Extreme Make-over [15:55] ¤ 
              Wilfred HEATON 
              French [5:27] µ 
              Chuck MANGIONE 
              arr. GILJE 
              
              Children of Sanchez [6:04] £¤ 
              This album's title 
                and track-list probably betray that 
                it is a compilation. The team at World 
                of Brass, purveyors of brass band music 
                in recorded and written form, have here 
                collected some of their favourite tracks 
                from albums released by various bands 
                on various labels over the last year 
                or so. The collection is overall of 
                high quality. Indeed, the roster of 
                bands on show here includes five of 
                the top ten bands in the world - on 
                current rankings. 
              
 
              
The program is varied 
                and, on the whole, well assembled. There 
                are enough light band pieces to charm 
                and entertain, including a couple of 
                pieces by John Williams, whose music 
                is most sympathetic to brass band arrangements. 
                Black Dyke chips in with a fleet Ruslan 
                and Ludmilla overture, and Grimethorpe 
                contributes a cheeky performance of 
                Comedy Tonight. 
              
 
              
The lyrical numbers 
                featured include a gorgeous performance 
                of There Will be God from Derick 
                Kane – more subtle, though less brilliant 
                than Aaron Vanderweele's recent recording 
                with the New York Staff Band. 
              
 
              
Those who enjoy the 
                more serious side of the brass band 
                repertoire are also catered for. Two 
                of the best items appear on the first 
                disc. Wilfred Heaton's Five Little 
                Pieces belie their modest title. 
                This is beautifully crafted music, very 
                much in the neo-classical vein of Hindemith 
                and Stravinsky. Cross-rhythms abound 
                and the suite is most infectious. The 
                YBS Band's performance of Graham's tone 
                poem, Harrison's Dream is also 
                well worth hearing. Notwithstanding 
                a couple of moments of questionable 
                ensemble, the playing is most impressive 
                and the piece itself pitches somewhere 
                between Robert Simpson and the Stravinsky 
                of Le Sacre. 
              
 
              
There are a couple 
                of miscalculations in the programming 
                that cause some minor irritation. The 
                quiet and reflective tone set by John 
                Golland's Peace and Steadman 
                Allen's In Quiet Pastures is 
                rudely interrupted by an upbeat Tomado 
                De La Mano. There is nothing wrong 
                with the playing of the Hendon Salvation 
                Army Band or with the inclusion of this 
                catchy track on this album, but its 
                effect between these two pieces is jarring. 
                David Childs' performance of Peace 
                also seems to have been recorded 
                at a lower level and sinks into the 
                background unless the volume is turned 
                up, and then back down again for the 
                following track. A similar problem affects 
                Olympic Spirit, which is recorded 
                at a lower level than Nade, which 
                precedes it. 
              
 
              
The other slight irritation 
                in the programming is the placement 
                of the second of the two live tracks. 
                Song and Dance is correctly located 
                at the end of disc one. Would that Extreme 
                Makeover had been similarly placed 
                at the end of disc two! I am one of 
                those who does not thrill to recorded 
                applause, especially when it does not 
                come at the end of the disc. As for 
                the piece itself, though recorded at 
                European Brass Band Contest in 2005, 
                it is not a grave competition piece, 
                but a confection of Tchaikovsky tunes 
                – entertaining, but not in the same 
                league as Harrison's Dream. 
              
 
              
The liner notes are 
                virtually non-existent, which is unsurprising. 
                There is a greeting from the World of 
                Brass team and a track-listing that 
                identifies the album from which each 
                track is drawn. There is precious little 
                other information. Pity the poor uncredited 
                conductors! 
              
 
              
The overall recorded 
                sound varies from decent to excellent, 
                but there is nothing seriously wrong 
                with the sonics. 
              
 
              
As a round up of recent 
                releases, this double CD represents 
                good value - especially if it is acquired 
                as a free gift on the purchase of £50 
                of other materials from World of Brass. 
                It will afford pleasure to any band 
                enthusiast who encounters it. 
              
Tim Perry 
              
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