Forgive the ramblings
                    of a superannuated colonial but here in Australia we haven't
                    heard of most of the artists appearing on this DVD. We've
                    heard of Edda Moser and Neil Shicoff because they've graced
                    the musical world for many years. We've also heard of Markus
                    Stenz but only because until recently he was the Chief Conductor
                    and Artistic Director of the Melbourne Symphony Orchestra. 
                
                 
                
                
                Even baritone Thomas Quasthoff
                    is relatively unknown. Certainly pictures of him have not
                    been widely publicised. What a remarkable man he is; he's
                    not only conquered his thalidomide disability but, at the
                    age of just 46, he has now conquered the classical musical
                    world. Fischer-Dieskau in 1988 praised him for his 'wondrously
                    beautiful voice'. For years he doubted his ability to sing
                    the classics, flirting with singing jazz and doing stints
                    as a NDR radio announcer. Now, not only does he teach voice,
                    he also performs.
                
                 
                
                This DVD has been recorded
                    to benefit the battle against AIDS and deserves our support.
                    Musically, I am not quite sure. It has its ups and downs.
                    Take the two selections from Quasthoff for example. His first
                    contribution from Tannhauser is not really up his
                    street; it requires a bit more light and shade, and despite
                    his remarkable qualities Quasthoff doesn't quite succeed.
                    His second effort from Lortzing's Zar und Zimmermann is
                    an improvement. In spite of my not being able to understand
                    the lyrics (he sang in German and there were no subtitles)
                    it was obviously a comic aria and Quasthoff easily conveyed
                    the spritely nature of the song.
                
                 
                
                The overriding feeling
                    that lingers from this recording, however, is that the majority
                    of the artists sing too loudly, and I include Quasthoff in
                    this. Perhaps the fact that the orchestra plays behind the
                    singers is disconcerting but for veterans like soprano Edda
                    Moser and tenor Neil Shicoff that should not have posed a
                    problem. 
                
                 
                
                I didn't think anyone
                    could ruin the trio from Richard Strauss's Der Rosenkavalier but
                    unfortunately the version that Ms Moser, Claudia Rohrbach
                    and Regina Richter tried to sing, achieved that. The trio
                    is musical lace, fragile, intricate and delicate. Instead
                    we got robustness and a lack of subtlety. The voices were
                    on a constant collision course both with the orchestra and
                    themselves. 
                
                 
                
                Similarly Neil Shicoff
                    was too loud and passionate in Puccini's Recondita Armonia and E
                    lucevan le stelle from Tosca. He was in fine voice and
                    on more than one occasion proved he has not lost the pianissimo
                    in his voice. In addition everything was sooooo slow. In
                    fact with E lucevan he controlled the tempo himself
                    - you could see Stenz following his lead - but, perhaps in
                    an effort to give the impression of passion, he dragged it
                    too much.
                
                 
                
                In that regard Marcus
                    Stenz was admirable. He allowed the singers sufficient latitude
                    to explore their phrasing in a musical and sensible manner.
                
                 
                
                Baritone Carlos Alvarez
                    also suffered from too much volume, soprano Michele Crider
                    was too dramatic but Alaskan-born mezzo Vivica Genaux impressed
                    with her Zarzuela rendition from Gimenez's La Tempranica.
                    Her first contribution from Rossini's La Cenerentola was
                    good but how I wish some coloraturas would generate their
                    trills from the back of the throat and not through manipulations
                    of the lips. Soprano Isabel Bayrakdarian showed us how to
                    do it admirably with her aria from Semiramide. Trills
                    are wonderful when there is an air of wonderment about how
                    they are produced.
                
                 
                
                Georgian-born Tamar Iveri
                    was very good especially when singing Puccini's aria Chi
                    il bel sogno di Doretta from La Rondine. Star
                    performer, however, was tenor Saimir Pirgu with Donizetti's Una
                    furtiva lagrima and De Curtis's canzone Non ti scordar
                    di me. He is very personable, has a natural grace, great
                    stage presence and a promising bel-canto voice.
                
                 
                
                It only remains for me
                    to mention how entertaining and refreshing it was to hear
                    Konrad Beikircher's as narrator and presenter. Fortunately,
                    the subtitles were working then and his comments were greatly
                    appreciated.
                
                 
                
                    Randolph Magri-Overend
                
                 
                
                
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