If I have a gripe 
                  about this disc it would be about the title. The programme is 
                  attractive and interesting but only the word “cello” seems apposite 
                  for all of it. Without doubt, Maria Kliegel is a very fine virtuoso 
                  cellist but I can’t believe she was taxed greatly by most of 
                  the works performed here. Quite a few of them are potential 
                  encores but extended works such as Popper’s Fantasy on Little 
                  Russian Songs, and Offenbach’s Danse bohémienne would 
                  surely warrant an appearance in a programme proper. The listing 
                  above may sum up the cellist’s lot – eleven of the sixteen pieces 
                  are transcriptions and the other five were written by cellists.
                The performance 
                  of Rachmaninov’s Vocalise seems to me to exemplify Kliegel’s 
                  approach to these works – clean, lean and musical, sparing on 
                  rubato and hinting at emotional depths. These are not the sort 
                  of performances that a Rostropovich would give us but easier 
                  to live with and a more realistic example for aspiring young 
                  cellists. I have not come across Raimund Havenith before but 
                  his support is excellent and teams well with Kliegel. 
                Most of the shorter 
                  works hardly require any introduction but a few deserve specific 
                  mention. Spanish cellist Gaspar Cassado’s Dance of the Green 
                  Devil is an ideal and spirited opener in ternary form with 
                  a magical central slow section framed by a playful dance for 
                  a rather endearing type of devil. I presume that The Bee 
                  by the “other” Franz Schubert (born in Dresden and no relation 
                  to the Schubert) was written before Rimsky-Korsakov’s 
                  Flight of the Bumble Bee – it seems to be a prototype 
                  for it. Finally, and most striking of all is Barchet’s Boulevard 
                  de Garavan, one of his Images de Menton from 1963. 
                  This is a kind of study in pizzicato where the name of the game 
                  is to imitate the guitar.
                Lovers of the cello 
                  will enjoy this disc and it is also for amateur cellists learning 
                  the repertoire and wanting to hear some very professional performances. 
                  The recordings were made 15 years ago and sound very well – 
                  presumably this is not their first outing but a reissue. At 
                  bargain price this disc can be snapped up with confidence.
                Patrick C 
                  Waller
                see also Review 
                  by Göran Forsling