52,943 reviews
and more.. and still writing ...

Search MusicWeb Here



International mailing

  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  



AmazonUK   AmazonUS

Max BRUCH (1838-1920)
Violin Concerto No.1 in G minor Op.26 (1868) [22.11]
Scottish Fantasy Op. 46 (1880) [25.55]
Henri VIEUXTEMPS (1820-1881)
Violin Concerto No.5 in A minor Op.37 (1858) [17.27]
Jascha Heifetz (violin)
New Symphony Orchestra of London/Malcolm Sargent
rec. Walthamstow Town Hall, 1961 and 1962
BMG-RCA RED SEAL SACD 82876 716 222 [65.20]
Itís welcome news that RCA Red Seal has got around to present Heifetzís 1961-62 concerto haul with Malcolm Sargent on SACD. Iíve forgotten now quite how many times Iíve reviewed his Scottish Fantasy Ė but the last time was in the context of BMGís Heifetz in Performance DVD and CD set (see review). Iíve always been partial to the Perlman recording of this for the sumptuous soloist and for the sympathetic conducting, but in my experience the conductor who gets the most out of the orchestral part is Kurt Masur for Accardo Ė his is a stunning example of warmth and clarity (see review). He certainly gets more out of it than Sargent, who is by no means routine but who cedes ground at most important points. Steinberg was the conductor in Heifetzís only other commercial recording of the work (now on Naxos - see review), a decade earlier. I happen to prefer the later one with Sargent.
Sargent made two recordings of the Bruch G minor with Heifetz, a decade apart. By 1962 the trademark Heifetz devices were firmly in place and little that he does will surprise admirers. That said whilst this is glamorous and succulent playing there are times when some of his rubati, especially in the opening movement, do sound a touch forced. Overall he seems more temperamentally suited to the Fantasy. The third recording is the note-spinning but very enjoyable Vieuxtemps A minor. This is one the most lop sided concertos in the violin book with a twelve minute opening movement and a finale that takes, here, barely a minute. . Admittedly the finale was tacked on ... but still. Sargent and Heifetz had originally recorded it on 78s back in 1947. Refined elegance is the watchword Ė the Gallic care for line and elegance ensure that we donít get unnecessary fireworks even in the first movement cadenza. Heifetzís sustenance of legato in the Adagio is a wondrous thing.
There has been some tape deterioration, a feature Iíve noticed on a number of these revivified SACDs of classic Red Seals. Little blips on the master tape are noticeable at high level, as is a degree of hiss. However those who failed to collect the Heifetz Edition have now gradually had the opportunity to add things courtesy of a number of companies and this is just such an opportunity. The same line up of concertos was also issued on a 1990 BMG cheapie and it had the same running order.
Jonathan Woolf


AmazonUK   AmazonUS




Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Return to Index

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.