This finely produced, 
                researched and recorded CD from Orfeo 
                contains music by a composer the 
                excellently written liner-note refers 
                to as "one of the most comprehensively 
                forgotten composers ... from a period 
                widely regarded as the golden age of 
                the clarinet". 
              
 
              
Dieter Klöcker 
                adds to his already impressive repertoire 
                list with this delightfully freewheeling 
                concerto and aria. The leaps between registers 
                and the alacrity he displays in 
                accomplishing them make this a 
                "must-have" for clarinet devotees. Some 
                of the passage work is dizzyingly deft 
                as well as downright demonic in its 
                complexity. The second movement "Adagio" 
                is nearly four minutes of pastoral perfection. 
                Not exactly what one would describe 
                as "pretty", its songlike qualities resemble 
                an opera aria in the use of the bass 
                instruments to support the soloist's 
                harmonics. The third movement is a set 
                of variations on a popular, dance-like 
                theme followed by a polacca where genuinely 
                virtuosic elements come into play. 
              
 
              
The aria, featuring soprano 
                Isolde Siebert, is written in the style 
                of a scene from an Italian opera 
                seria. Apparently, von Winter 
                wrote a number of these during his long 
                career as Kapellmeister to the Bavarian 
                Royal Court. As far as anyone can tell, 
                this scene may have been written 
                for an opera that was never 
                completed. Regardless of its 
                provenance, it beautifully showcases 
                both soloists in over eight minutes 
                of dramatic vocalization and instrumental 
                virtuosity. 
              
 
              
The two "sinfoniae" 
                show von Winter to be a genius of orchestral 
                color and economy. By the 1780s most 
                works with this title were in four movements, 
                but the composer expresses the full 
                musical identity of each work in only 
                three. The fugal finale of the 
                sinfonie No 3 is imbued with the 
                genuine spirit of a divertimento including 
                solo contributions from both oboe and 
                bassoon. The "Rondo Allegro" which concludes 
                the sinfonie No 2 is a whirlwind 
                of eclectic Italianate dynamics usually 
                associated with the Mannheim school, 
                of which the composer can truly be said 
                to be a leading exponent. Enthusiastically 
                recommended. 
              
Gregory W. Stouffer 
                 
              
A whirlwind of eclectic 
                Italianate dynamics ... a leading 
                exponent of the Mannheim school. Enthusiastically 
                recommended. ... see Full Review