2024 60,000 reviews ... and still writing ...	Search MusicWeb Here

Searching Musicweb Monthly index Recordings of the Year Label index Masterwork index Series index Search engines Review Archive Classical Downloads Jazz Concerts Nostalgia Books Film music Resources Composer pages Tony Duggan's Mahler National Discographies Mark Morris's Guide to C20th Composers Ralph Moore's Surveys Online books Piano Trio Survey Cello Concerto Project Pot Pourri - Early MusicWeb Gerard Hoffnung Arthur Butterworth's columns Philip Scowcroft's British light music Interviews Programme notes MusicWeb Listening Studio Talking about Books Other material Articles Seen & Heard Message Board About Musicweb About Musicweb Contact Musicweb Contributors What they say about us Visitor stats Site Map

Founder: Len Mullenger                                    Editor in Chief:John Quinn

AVAILABILITY Presier Records

Rose Bampton (b. 1907) Christoph Willibald von GLUCK (1714-1787) Alceste - Ah, malgre moi, mon faible coeur [4:43] Alceste - Non, ce n'est point un sacrifice[5:16] Wolfgang Amadeus MOZART (1756-1791) Don Giovanni - Era gia alquanto... Or sai chi l'onore [4:51] Don Giovanni - Non mi dir, bell'idol mio [5:02] Gioachino ROSSINI (1792-1868) La Cenerentola - Nacqui affanno... Non piu mesta [5:14] Semiramide - Bel raggio lusinghier [4:59] Giuseppe VERDI (1813-1901) Ernani - Sorte e la notte... Ernani, involami [5:06] Aida - Qui Radames verra!... O patria mia [5:15] Richard WAGNER (1813-1883) Lohengrin - Einsam in truben Tagen [4:41] Tristan und Isolde - Mild und leise [5:11] Giacomo PUCCINI (1858-1924) Tosca - Vissi d'arte [3:11] Jules MASSENET (1842-1912) Herodiade - Il est doux, il est bon [4:44] Hector BERLIOZ (1803-1869) La Damnation de Faust - D'amour lardente flamme [7:34] CLAUDE DEBUSSY (1862-1918) L'enfant prodigue - L'Annee en vain chasse l'annee [4:46] Georg Frideric HANDEL (1685-1759) Atalanta - Come, beloved [3:36] John Alden CARPENTER (1876-1951) Gitanjali - When I bring to you colour'd toys [2:28] Gitanjali - Light, my light [2:18] Rose Brampton (soprano) Victor Orchestra/Wilfred Pelletier RCA Victor Orchestra/Wilfred Pelletier Metropolitan Opera Orchestra/William Steinberg Wilfred Pelletier (piano) Charles O'Connell (piano) rec. 1932-1946 PREISER 89675 [79:03]

The earliest sides here date from Bampton's days as a mezzo; we know her much better, of course, as a dramatic soprano. The recordings cover a fourteen-year period and present a very reasonable portrait of her repertoire. It ranges from the early Handel recording to include the unusual Carpenter songs via the expected Verdi and Puccini. Her Gluck is certainly dramatic though it the tone tends to harden under pressure, a recurrent limitation of her singing if these discs are a pure reflection of her performances - and there's no reason to think they're not. It comes across as a shrill and squally top. To compensate there is her acute and penetrating musical intelligence; she phrases with surety and understanding. Her Mozart, for example, is excellently controlled and projected but her technique is not quite tight enough to encompass the stretchier demands of Or sai chi l'onore with absolute security. In the Italian repertoire we find that whilst she manages registral leaps with command and whilst the voice is of itself an instrument of considerable penetration and theatrical impersonation, little ineradicable faults remain. The voice isn't quite full enough in Rossini. Her Verdi is certainly sung with conviction and allure but perhaps by the highest standards it does come across as slightly under characterised. Moving on to Vissi d'arte we find, it has to be conceded, considerable technical facility but maybe the last missing ounces of sheer frisson. She was a pioneer of broadcast. Wagner having given the American broadcast premiere of Parsifal with Stokowski in Philadelphia in 1933. Both the performances enshrined in Preiser's disc predate her later post 1940 studies in California with Lotte Lehmann, who guided Bampton through Wagner roles with some precision. Her Berlioz strikes one now as a touch mechanical in its responses though the voice itself is deployed with great skill and once more, real intelligence. The early Handel disc is clean, clear and rather cool emotionally. It is of real interest to hear her in the Carpenter songs where her husband the Canadian born pianist and conductor Wilfred Pelletier accompanies her - as indeed he does on most of the sides. Here one senses a greater sense of involvement and immediacy. Preiser's copies are in good estate and have been sympathetically transferred. If Bampton emerges as a somewhat lesser interpreter than she might once have seemed, there's still pleasure to be taken in hearing this agreeably wide-ranging conspectus. Jonathan Woolf Advertising on Musicweb Donate and keep us afloat   New Releases All Naxos reviews All Chandos reviews All Hyperion reviews All Foghorn reviews All Troubadisc reviews all Bridge reviews all cpo reviews Click to see New Releases Get 10% off using code musicweb10 All Divine Art reviews All Eloquence reviews All Lyrita Reviews   Obtain 10% discount Subscribe to our free weekly review listing

Return to Index

Reviews from previous months Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details We welcome feedback on our reviews. Please use the Bulletin Board Please paste in the first line of your comments the URL of the review to which you refer.