This will all be very familiar to the Brain collector. This two-disc 
                set mixes commercial recordings with live ones. Everything here 
                has been issued before, often multiply so. The Mozart Concertos 
                with Karajan are canonic Brain repertoire though interest is generated 
                by the addition of a live performance of No. 3 in E-flat, K. 447 
                with Hans Rosbaud. The Strauss is the less familiar No.2, the 
                Hindemith is not the sonata for horn and piano or the concerto, 
                so often the subjects of reissue, but the Sonata for Four Horns. 
                The earliest item is the Beethoven sonata, a famous wartime traversal 
                with Denis Matthews. 
              
EMI’s Mozart concertos have been pretty 
                    much permanent fixtures of the discography. They’re currently 
                    available in the GROC series coupled with the Quintet for 
                    piano and wind. What is intriguing about this collation of 
                    them is the inclusion of the live Rosbaud performance of the 
                    Third, K. 447. The two seem to have formed a powerfully sympathetic 
                    partnership and despite the faded sonics – more cloudy and 
                    boxy than the contemporaneous commercial recording with Karajan 
                    – we can still hear that Rosbaud imbues the music with greater 
                    flair and incision than Karajan. Accelerandi and dynamics 
                    register with great immediacy. Demerits include some tape 
                    tremor and deterioration Their other non-commercial collaboration, 
                    of the Second Concerto, has been available and if you can 
                    find it, it’s highly recommended.  
                  
The second disc is, to be blunt, a dog’s 
                    dinner of a compilation. The Strauss Concerto (commercial) 
                    joins the Hindemith (live) which is followed by the Beethoven 
                    sonata (commercial, 78) and is itself followed by the well-known 
                    1952 disc of the Schumann Adagio and Allegro with Gerald Moore. 
                    Two encore pieces, both live, round off a very uneven selection 
                    in terms of compatibility though not quality. None of this 
                    is new or rare. And in addition the claim of “London 1954” 
                    for the Marais and Dukas should be “Edinburgh, August 1957”, 
                    live performances made only days before Brain’s death.  
                  
There are plenty 
                    of Brain items still locked in the vaults or having received 
                    limited release. As for the Dukas and the Schumann there are 
                    Britten accompanied versions from 1956 as well as ones by 
                    Klaus Billing for RIAS three years earlier. Conrad Hansen’s 
                    broadcast with Brain of the Beethoven sonata exists – RIAS, 
                    1950. There’s a performance of the Strauss with the BBC Welsh 
                    and Rae Jenkins from 1951. There is no shortage of Mozart 
                    concertos. I see that this month BBC Legends is bringing out 
                    a Malcolm Sargent accompanied performance of the E-flat, K. 
                    447 but there are others certainly – van Kampen (RIAS 1953) 
                    and Schmidt-Isserstedt with the NDR the following year.  
                  
Unfortunately 
                    Andromeda has omitted details of Brain’s collaborators in 
                    the Strauss Concerto - Sawallisch and the Philharmonia. It’s 
                    rather indicative of an erratic selection of items you will 
                    have seen elsewhere. No notes as usual from this source. The 
                    transfers are serviceable though the first movement of the 
                    Rosbaud-Mozart seems to have had inherent pitching problems 
                    and tape degradation. 
                  
              
Brain collectors will 
                have all this. Newcomers may be attracted by the Mozart but I 
                would advise them to take a more expensive but systematic approach 
                to Brain’s discography initially via the BBC and EMI. 
                
                Jonathan Woolf  
                
              
BUY NOW  
              
Crotchet