Three Oistrakh Prokofiev
recordings from the 1950s all in excellent fettle.
This version of the fairy-tale First
Violin Concerto of Prokofiev is a considerable improvement
on Oistrakh’s later Soviet one with Kondrashin and the
Moscow Radio Symphony Orchestra. There his tone and that
of the orchestra is compromised by a tart and vinegary
nasal quality. In this case the monophonic recording sounds
very healthy despite the 52 intervening years. As for the
performance of this glorious, gaudy, splendid and glimmering
saga of a piece it is stunning. The LSO provide a backdrop
full of intriguing character – and there’s a lot going
on too. Oistrakh romps through the piece with marvellous
silvery precision and exacting virtuosity. Matacic is a
pliant and spontaneous-sounding partner – comparable with
Pierre Monteux in his lightning-rod attention to detailing.
He takes care of his soloist yet snatches opportunities
to colour and pace amid Prokofiev’s brittle and crystal.
Once again I note how the finale shows up Walton’s debt
in his own Violin Concerto. This GROC resurrects a modern
sounding recording to place alongside the Beecham-conducted
Szigeti which you can hear on Naxos (see review).
For a yet more modern sounding Prokofiev 1, I still recommend
Sitkovetsky on Virgin (see review).
There’s a change of orchestra
and conductor for the stereo recording of the Second Concerto.
This is a much more sober work yet with echoes of the Romeo
and Juliet ballet music and serenely of Bach in the middle
movement. The recording is stunning – listen to those cavernous
pizzicati towards the end of the Andante assai not
to mention the castanets in the finale.
The Violin Sonata No.
2 began life as a Flute Sonata which was transcribed
by the composer at Oistrakh’s request. It was a product
of the composer’s wartime retreat to Perm in the Urals. It’s
a serene and untroubled work; not at all macabre or fantastic
unlike the First Concerto.
The notes are by David
Gutman and emphasise the story of the music rather than its
recording history.
Precisely etched and joyously
breathtaking Prokofiev playing.
Rob Barnett
EMI
Great Recordings of the Century
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