The two oboe quintets 
                on this disc are billed as world première 
                recordings. They were published in 1812 
                but both were written considerably earlier 
                and initially appeared as flute quintets. 
                In those days, the reputation of the 
                Moravian composer and violinist František 
                Kramář 
                (aka, in Germanised form, as Franz Krommer) 
                vied with Haydn, particularly as a composer 
                of string quartets, of which he wrote 
                about eighty. He also wrote symphonies 
                of which thirteen have survived. Having 
                moved around central Europe quite frequently, 
                Krommer eventually made it as 
                a court composer in Vienna. Two hundred 
                years on and it is almost exclusively 
                his wind music that has stood the test 
                of time, at least in terms of recordings. 
                There is no doubt that this music deserves 
                to although one is left wondering what 
                happened to the rest of his output. 
              
 
              
Krommer’s fertile imagination 
                is certainly well-demonstrated on this 
                disc in forms that broke no conventions 
                of the time. The oboe parts are consistently 
                grateful and the strings all get their 
                chance to shine. The quintets are considerably 
                bigger concepts than the quartets – 
                in four movements rather than three 
                and about twice the length. It is notable 
                that the additional instrument for these 
                works is a viola rather violin (i.e. 
                this is not for oboe and standard string 
                quartet). 
              
 
              
The quartets are light 
                in vein with touches of humour. They 
                seemed to have been lost but were rediscovered 
                in a Moravian castle in the 1950s and 
                first published in 1959. The F major 
                quartet has a central minuet rather 
                than a slow movement and is a particular 
                delight. 
              
 
              
Sarah Francis is a 
                long-established British oboist with 
                an extensive discography. Her playing 
                here is mellifluous and quite wonderful 
                in every way. The Tagore String Trio 
                was established in 1996 and their playing 
                is also excellent, with obvious rapport 
                between all the players. The recorded 
                sound is bright and well-balanced, and 
                this issue is as well-documented as 
                some full-price releases. 
              
 
              
Although Regis seems 
                to specialise in budget re-issues, this 
                is a new recording issued at their normal 
                price. This music is well worth getting 
                to know and fine musicianship is on 
                offer - quite a bargain. 
              
 
              
Patrick C Waller