For anyone who wants
an excellent introduction to this fascinating
opera, look no further. There is a huge
amount of life about this performance,
due in no small measure to Harnoncourt's
always vibrant direction. He inspires
the Zürich forces to give of their
best and the distinguished soloists
rarely disappoint.
There is a brief synopsis
supplied, and a dramatis personae with
a short note for each character's place
in the plot. Enough for the novice to
get started, at least.
It is difficult to
single out a single 'best' soloist,
although my listening notes did point
towards Delores Ziegler for this accolade.
Her glowing voice and entirely convincing
lyricism are heard to great effect particularly
in Annius's Act 2 'Tu fosti tradito'.
To list her above the great Lucia Popp
is praise indeed, especially with Popp
on such form; try Popp's expressive
aria, 'Dei se piacer mi vuoi' or the
Act 2 'Non più di fiori'.
Philip Langridge is
a born Mozartian. His Idomeneo
on DVD is a real treat (see my review
); his Titus no less so. His intrinsic
musicality means there will not be a
single jarring phrase. His 'Del più
sublime soglio' shows his expressive
best. Ann Murray provides a really special
'Parto' - perhaps the most famous part
of this opera - her legato a model of
its kind.
Harnoncourt's accompaniments
have a vibrant life of their own (try
the orchestral interjections in Vitellia's
'Non più di fiori'). The Overture
has the characteristic Harnoncourt attack
... and here it works so well.
If you are new to this
opera and want to dip your toe in, do
not hesitate. Lucia Popp fans - who
probably have the complete set anyway
- will find ample confirmation of her
greatness here.
Colin Clarke
Chorus and Orchestra of Zürich Opera/Nikolaus
Harnoncourt. 
