Antonio CALDARA 
          (c.1670-1736) Sonatas 
          for two violins and continuo Op.2: No.4 in 
          G minor; No.6 in A; No.8 in F Chiacona 
          No12 Cantatas Op.3: Il Silentio; L’Anniversario 
          amoroso; La Fama Vicino a un rivoletto 
          – cantata for alto, violin and cello 
 
          The Four Nations Ensemble (Jennifer Lane (mezzo-soprano), 
          Ryan Brown and Claire Jolivet (violins), Loretta 
          O’Sullivan (cello) and Andrew Appel (harpsichord 
          and director)) Recorded at St Mary’s Church, 
          Hudson, New York, January and February 2001 
          
 
          GAUDEAMUS CD GAU347 [68.27] [JW]
        The 
          cantatas trace a journey, through their formal 
          precision, well beyond the merely representational. 
          It’s a journey well worth undertaking. ... 
          see Full Review 
         
          Piangete: 
          Cantatas and Motets by Giacomo Carissimi   Giacomo 
          CARISSIMI (1605-1674) 
          Cum 
          reverteretur David, motet for 3 voices and bc [04:09] Benedictus Deus 
          et Pater, motet for 3 voices and bc [[04:30] Girolamo 
          FRESCOBALDI (1583-1643) Partite sopra La Monicha for keyboard 
          [07:17] Giacomo CARISSIMI Exulta, 
          gaude, filia Sion, motet for two voices and bc*/*** [05:07] Giovanni 
          Girolamo KAPSBERGER (c1580-1651) Toccata XI for chitarrone 
          [02:01] Giacomo CARISSIMI Va dimanda 
          al mio pensiero, cantata for solo voice and bc [05:38] Giovanni 
          Girolamo KAPSBERGER Prelude XI for chitarrone [00:36] Giacomo 
          CARISSIMI O dulcissimum Mariae nomen, motet for two voices 
          and bc*/** [03:31] Siam tre miseri piangenti, cantata for three voices 
          and bc [08:16] Michelangelo ROSSI (1601/02-1656) 
          Toccata VII for keyboard [04:07] Giacomo 
          CARISSIMI Surrexit pastor bonus, motet for three voices and 
          bc [02:23] Ahi, non torna, cantata for two voices and bc**/*** [05:06] 
          Piangete, ohimè piangete, cantata for solo voice and bc* [05:42] 
          Giovanni Girolamo KAPSBERGER Prelude 
          X for chitarrone [00:54] Giacomo CARISSIMI 
          
          Si dia bando, alla speranza, cantata for solo 
          voice and bc** [03:47] Omnes gentes gaudete 
          cum victore, motet for three voices and bc 
          [03:39] 
 
          Concerto delle Donne: Donna Deam*, Gill Ross**, 
          Elin Manahan Thomas***, soprano; David Miller, 
          chitarrone; Alastair Ross, harpsichord, organ 
          Recorded in February 2001 at the Church of 
          St Lawrence, West Wycombe, UK, DDD 
 
          SIGNUM SIGCD040 [66:24] [JV]
        Unexpressive 
          performances of very expressive music by one 
          of the great masters of the Italian baroque 
          ... see Full Review 
          
         Fandango 
          – Music Of Ann CARR-BOYD Ann CARR-BOYD (b.1938) 
          Fandango 
          (1982) [4.41] Brown Pansies for soprano and piano (1997) 
          [3.13] The Bendooly Variation (1997): Theme [0.58]; Variation 
          I [1.21]; Variation II [3.23]; Variation III [1.43]; Variation IV [2.17] 
          Soo Yeon CHOI (b. ?) Flamenco 
          Fantasy for two pianos (1997) [4.45] Eric 
          GROSS (b.1926) Minature for Ray (1994) [3.25] Dulcie 
          HOLLAND (b.1913) Summer Serenade (1994) [3.01] Robert 
          ALLWORTH (b.1943) Five Bagatelles (1996) [7.56] Derek 
          STRAHAN (b.1935) The Australian Ark – Suite No.3 "The 
          Coming of Man" (1973) [10.11] The Australian Ark – Suite No.4 "Land 
          of the Birds (1972) [8.52] 
 
          The Sydney Mandolins / Adrian Hooper; Corinne Laird – soprano; Ann Carr-Boyd, 
          Soo Yeon Choi, Michael Taylor – piano; Bill Frater, Neville Amadio – 
          flute; John Cran – bassoon; Donald Westlake – clarinet; Robert Miller 
          – cello; Derek Fairbrass, John Sangster – percussion. rec 1972-1998, 
          Various locations in New South Wales, Australia 
 
          JADE JACD-1078 [55.46] [PW]
        Its 
          all rather puzzling in the end. ... see Full 
          Review 
          
           
          Luigi CHERUBINI 
          (1760-1842) Les 
          deux journées Constanza 
          – Jeanine Micheau (soprano) Comte Armand – 
          Pierre Giannotti (tenor) Daniele Micheli – 
          Charles Paul (bass) Antonio – Eugene Regnier 
          (tenor) Marcellina – Marion Davies (soprano) 
          Daniel, Semos – Donald Munro (bass) BBC Theatre 
          Chorus 
 
          Royal Philharmonic Orchestra/Sir Thomas Beecham 
          Recorded Studio 1, Maida Vale, London, 19th 
          December 1947 
 
          MALIBRAN MR 554 [78.45] [JW]
        I’d 
          offer no more than a cautious welcome to this 
          one. ... see Full 
          Review 
         
          Frédéric 
          CHOPIN 
          (1810-1849) Piano 
          Concerto No.1 in E minor, op.11 Piano Concerto 
          No.2 in F minor, op.21 Chamber Versions: world 
          premiere recordings 
 
           Fumiko Shiraga, piano The Yggdrasil Quartet: 
          Henrik Peterson, Per Öman, violin; Robert 
          Westlund, viola; Per Nyström, cello; 
          Jan-Inge Haukås, double bass Recorded 
          Germany 1996 
 
          BIS-CD-847 [72:14] [JL]
        These 
          fine chamber renderings of the Chopin concertos 
          make them sound as if that is how they were 
          meant to be. ... see Full 
          Review 
         
          Fryderyk 
          CHOPIN (1810-1849) 
          Piano Favourites vol. 2 
 
          Idil Biret (piano)
          Rec. July-September 1991, Clara Wieck Auditorium, 
          Heidelberg, Germany, March, November, December 
          1990, March, September 1991, Tonstudio van 
          Geest, Heidelberg, Germany. DDD 
 
          NAXOS 8.555799 [79:03] [MC]
        This 
          release will make the perfect introduction 
          to Chopin’s solo piano music. A recital that 
          will provide lots of pleasure. ... see Full 
          Review
         
          James COOK 
          Heaven’s 
          Happiness. Sacred Choral Music Triptych 
          (2002)*: Death is yours [3’17"]; Evening 
          Sacrifice [2’40"] Vespers [22’29"] 
          Hymnus Divinus (2002) [20‘36"] From Gradualia, 
          book 1 (movements 5 & 7) (1999): There 
          is no wrinkle on the brow of eternity [3’48"]; 
          The Saints’ everlasting rest [4’07"] 
          
 
          Voces Oxoniensis/Michael McCarthy *Rufus Frowde 
          (organ) Recording: St. Jude-on-the-Hill, Hampstead 
          Garden Suburb, London, 30 July 2002 and 12 
          March 2003 (Triptych and Gradualia) DDD 
 
          THE DIVINE ART 25023 [57’02"] [JQ]
        I 
          finished off this review on the morning of 
          Good Friday; highly apposite given the nature 
          of these pieces. Ably renews the traditions 
          of English Church music ... cause for celebration. 
          ... see Full Review 
           
        Frederick 
          DELIUS (1862-1934) Violin Sonatas:-Sonata 
          in B major for violin and piano, Op. Posth. (1892) Sonata No. 1 for 
          violin and piano (1905-14)Sonata No. 2 for violin and piano (1922-23)Sonata 
          No. 3 for violin and piano (1918 -24) 
           
          
 
          Tasmin 
          Little (violin) Piers Lane (violin) Recorded in 1997. No details of 
          recording venue provided. Frank BRIDGE 
          (1879-1941)Works for Orchestra:- Suite for Strings (1909) There 
          is a willow grows aslant a brook (1927) Incidental music from: The Two 
          Hunchbacks (1910) Threads; Rosemary; Canzonetta; Berceuse;Serenade 
 
          Britten Sinfonia/Nicholas Cleobury Recorded in 1997. No details of recording 
          venue provided.
 
          RCA RED SEAL 74321 987082 [76:35+63:01][MC] 
        
With warm and enticing 
          interpretations this is a release reminding me of ‘summer sunshine’. 
          Splendid performances excellently recorded makes this a most desirable 
          set ... see Full Review 
        
Leonid 
          DESYATNIKOV (b.1955) 
          The Russian Seasons for 
          violin solo, soprano solo and string orchestra 
          and dedicated to Alicia Urwiller. Spring: 
          Dominical, Lullaby, Song for St, Georges’s 
          Day *Summer: Lament with Cuckoo, Song for 
          Whitsuntide,* Fertilising Song Autumn: Song 
          for Ember Days *, Autumn Song, Nuptial Song 
          Winter: Song for Christmastide, Song for Shrovetide, 
          Closing Song *Alexander 
          RASKATOV (b.1953) The Seasons Digest, 
          after ‘The Seasons’ op.37a by P. I. Tchaikovsky 
          (1840-1893) for solo violin, strings, 
          percussion and prepared piano. + January: 
          At the Fireside February: Carnival March: 
          Song of the Lark April: Snowdrop May: Starlight 
          Nights June: Barcarole July: Song of the Reaper 
          August: The Harvest September: The Hunt October: 
          Autumn Song November: Troika Ride December: 
          Christmas 
 
           Julia Korpacheva, soprano * Andrey Pushkarev, 
          percussion +, Reinut Tepp, piano +, Kremerata 
          Baltica/Gidon Kremer, solo violin and director. 
          Recorded in December 2001 at Studio Nalepastrasse, 
          Berlin. 
 
          NONESUCH 7559-79803-2 [51.26] [BK]
        One 
          of the most engaging recordings that I have 
          heard for some time. Kremerata Baltica, the 
          various soloists and Gidon Kremer throw themselves 
          into these intriguing works with great style…see 
          Full Review 
         
          Dohnányi 
          plays Dohnányi: The Complete HMV 
          solo piano recordings - 1929-1956 Ernst 
          von DOHNÁNYI (1877-1960) Pastorale 
          (Hungarian Christmas Song) Waltz (Coppélia 
          – Leo DELIBES) 
          Schatzwalzer (Der Zigeunerbaron – Johann 
          STRAUSS) Du und Du (Die Fledermaus 
          – Johann STRAUSS) 
          Six Piano Pieces Op.41 Winterreigen (Ten Bagatelles) 
          Op.13 Variations on a Hungarian Folk Song 
          Op.29 Pastorale (Hungarian Christmas Song) 
          Intermezzo in F minor (Four Piano Pieces Op.2 
          No.3) Ruralia Hungarica No.6 Op.32/A Gavotte 
          and Musette in B flat Pavane from the Sixteenth 
          Century with Variations (Humoresque) Op.17 
          No.3 Suite nach altem Stil (Suite in the Olden 
          Style) Op.24 Six Piano Pieces Op.41 Burletta 
          (Three Singular Pieces) Op.44 No.1 Nocturne 
          (Cats on the Roof) (Three Singular Pieces) 
          Op.44 No.2 Valses Nobles D969 (Franz 
          SCHUBERT) 
 
          Ernst von Dohnányi (piano) Recorded 
          in Budapest and London 1929-56 
 
          APR 7038 [2 CDs: 68.43 + 70.24] [JW]
         
        
Pellucid 
          beauty, an exceptional sense of excavated 
          drama, tremendous atmospheric compression, 
          rhythmic nuance and panache ... see Full 
          Review 
        
 
          Francesco DURANTE 
          (1684-1755) 
          Magnificat 
          in B-flat [12:03] Emanuele 
          D’ASTORGA (1680-ca. 1757) Stabat 
          mater [28’51] Giovanni 
          Battista PERGOLESI (1710-1736) Confiteor 
          tibi Domine [15’02] 
 
          Ann Monoyios, soprano Stephanie Möller, 
          soprano; Bernhard Landauer, counter-tenor; 
          Hermann Oswald and Hans Jörg Mammel, 
          tenors; Ekkehard Abele and Johannes Happel, 
          basses. Balthasar-Neumann-Chor Freiburger 
          Barockorchester/Thomas Hengelbrock Recorded 
          11-14 December 1995 in the Evangelische Kirche 
          Gönningen DDD 
 
          DEUTSCHE HARMONIA MUNDI 82876601452[59:13] 
          [KS]  
        
Music 
          with its entire complement of emotions fully 
          intact, yet there is never a sense of over-sentimentalizing. 
          ... radiant clarity, spot-on intonation and 
          an enviable rhythmic precision ... Highly 
          recommended. ... see Full 
          Review  
        
Sir 
          George DYSON (1883-1964) Church 
          and Organ Music Evening Service in D: Magnificat and Nunc Dimittis (1907) 
          [6”36”] Live for Ever, Glorious Lord (1952) [5’01”] 
          Prelude (organ solo) (1956) [5’56”] Postlude (organ solo) 
          (1956) [2’54”] Vespers (1939) [5’13”] Psalm-Tune 
          Prelude: I Was Glad (organ solo) (1961) [3’29”] Te Deum 
          (1955) [6’51”] Benedictus (1955) [5’10”] Hail, 
          Universal Lord (1958) [5’33”] A Voluntary of Praise (organ 
          solo) {3’27”] Benedicite (1956) [4’26”] Valour: 
          from Songs of Courage (1935) [2’43”] Herbert 
          HOWELLS (1892-1983): Dyson’s 
          Delight (organ solo) (1961) [4’18”] 
 
          Choir of St. Catherine’s College, Cambridge/Owen Rees Ian Coleman 
          (organ) Rec. St. Catherine’s Chapel, June/October 1986. DDD 
 
          REGIS 
          RRC 1161 [62’31”] [JQ]
        Dyson 
          - not an inconsiderable figure and his well-crafted, 
          sincere and enjoyable music is well worth 
          hearing. ... see Full 
          Review 
         
          Edward ELGAR 
          (1857-1934) Violin 
          concerto in B minor Op.61 (1910) In the South 
          Alassio - Concert Overture Op.50 (1904) Pomp 
          and Circumstance March No.1 Op.39 
 
          Ilya Grubert (violin) Moscow Symphony 
          Orchestra/Vladimir Ziva Recorded in concert 
          in Moscow, 29th October 2001 
 
          VISTA VERA VVCD 00048 [74.04] [JW]
        A 
          very uneven Elgar Night in Moscow. ... see 
          Full Review 
           
         
          Sir Edward ELGAR 
          (1857-1934) 
          The 
          Wand of Youth: Suites Nos. 1 and 
          2, Op. 1 (1908) Dream Children, Op. 
          43 (1902) Nursery Suite 
 
          New Zealand Symphony Orchestra/James Judd 
          Rec 11-13 November 2002, Michael Fowler Centre, 
          Wellington, New Zealand 
 
          NAXOS 8.557166 [66.47] [TB]
        The 
          music-making is committed and sensitive ... 
          a disc that is a worthy addition to the Elgar 
          catalogue. ... see Full 
          Review 
         
          Gabriel FAURÉ 
          (1845-1924) 
          The 
          Fauré Album: Violin Sonata No. 
          1 in A, Op. 13 (1875);. Romance, Op. 28 (1877); 
          Pelléas et Mélisande (1898) 
          – Fileuse (‘Spinning Song’), Op. 80 No. 2 
          (transc. Auer) [2’18]; Sicilienne, Op. 78 
          [3’32]. Berceuse, Op. 16 (1878-9) [3’35]. 
          Sérénade toscanne (transc. Ronchini); 
          Andante, Op. 75 (1897); Masques et bergamasques 
          (1920) - Clair de lune, Op. 46 No. 2 (transc. 
          Périlhou); Morceau de lecture à 
          vue; Piano Trio, Op. 120a (1922); 
          Après une rêvea (trans. 
          Eguchi). 
 
          Gil Shaham (violin); Akira Eguchi (piano); 
          aBrinton Smith (cello). Rec. The 
          American Academy & Institute of Arts and 
          Letters, New York City, on July 7th-8th 
          and 14th-15th, 2003. 
          DDD 
 
          CANARY CLASSICS ATM-CD-1239 [78’05] [CC]
        A 
          very special disc, and one to return to often. 
          ... see Full Review 
          
        BARGAIN 
          OF THE MONTH 
          Frederich Von FLOTOW 
          (1812-1883) Alessandro 
          Stradella, comic opera (1844) Stradella, Werner Hollweg 
          (ten); Leonore, Helen Donath (sop); Bassi, Richard Kogel (bass); Malvolio, 
          Alexander Malta (bass); Barbarino, Ferry Gruber (ten). Orchestra and 
          Choir of Bayerischen Radio/Heinz Wallberg Rec. Germany, 1977, ADD Albert 
          LORTZING (1801-1851) Regina, opera excerpts 
          (1848) Simon, Gerhard Frei (bar); Regina, Irmgard Klein (sop); Stefan, 
          Heinz Friedrich (bass); Richard, Karl Heinz Stracke (ten). 
 
          Choir and Orchestra of Berlin Radio/Walter Schartner Rec. Berlin, Germany, 
          1951, ADD 
 GALA GL100.733 
          [63.38+75.03] [RW]
        High-spirited 
          and refreshing with everyone responding admirably. 
          The handling of the nuances of the Flotow 
          is excellent. ... see Full 
          Review 
         
          Mauro GIULIANI 
          (1781-1829) Gran 
          Duetto Concertante Op.52 (1814) Grosse Sonate/Duo 
          Concertant Op.25 (1812) (flute part, originally 
          for violin, transcribed by Mats Möller) 
          Franz SCHUBERT 
          (1797-1828) Ständchen (1828) 
          Arr. for Guitar by Johann Kaspar Mertz (c. 
          1844) Sonata in A minor Arpeggione 
          (1824) (Flute part transcribed by Peter-Lukas 
          Graf, Guitar part transcribed by Johannes 
          Möller) 
 
          Duo 2xm (Mats Möller, flute; Johannes 
          Möller, guitar) Rec. Concert Hall of 
          the Royal Swedish Academy of Music, 23-26 
          July 2003. DDD 
 
          SFZ RECORDS CD SFZ 1009 [66:25] [PCW]
         
        
A 
          delight on the ear … if the programme appeals, 
          this should give much pleasure … see Full 
          Review 
        
 
          Christoph 
          Willibald GLUCK (1714-1787) 
          Orfeo 
          ed Euridice (1762) 
 
          Bernadette Manca di Nissa (mezzo): Orfeo; 
          Paula Almerares (soprano): Eurudice; Paola 
          Antonucci (soprano): Amor Chorus and Orchestra 
          of San Carlo Theatre, Naples/Gustav Kühn. 
          
          Rec. San Carlo Theatre, Naples, on May 3rd, 
          1998 All formats, 16:9. PAL. Dolby Digital 
          5.1. 
 
          
BRILLIANT 
          CLASSICS 92273 [101’00] [CC] 
        
Recommended 
          with caution, then. A pity presentation is 
          so lacking. ... see Full 
          Review 
        
 
          Louis Moreau GOTTSCHALK 
          (1829-1869) 
          Piano Works Le 
          Bananier/The Banana Tree, RO 21 [3’02] Souvenir 
          de Porto-Rico, RO 250 [5’56] Bamboula, RO 
          20 [7’39] Le Banjo, RO 22 [3’53] Danza, RO 
          66 [6’55] Pasquinade/Caprice, RO 189 [3’54] 
          Union: Paraphrase on National Themes, RO 269 
          [7’55] Le dernier espoir/The Last Hope, RO 
          133 [5’23] Sixième ballade, RO 14 [5’38] 
          Le poète mourant/The Dying Poet, RO 
          75 [6’25] 
 
          Noël Lee, piano Recorded at the Salle 
          Adyar, Paris, September 1984 
 
          WARNER APEX 2564 61183-2 [56’46] [DS] 
          
        
An 
          indistinct world ... not invigorating but 
          also not warm and inviting. ... dry and clinical, 
          essentially dutiful ... see Full 
          Review 
        
 
          Reynaldo HAHN 
          (1875-1947) Piano 
          Quartet No. 3 in G major (1946) Sonata in 
          C major for violin and piano (1926) Soliloque 
          et Forlane for violin and piano (1937) 
          Nocturne in E flat major for violin 
          and piano (1906) Romance in A flat 
          major for violin and piano (1901) Si mes 
          vers avaient des ailes (1888) (transcribed 
          by the composer for violin and piano) 
 
          Room-Music: Stephen Coombs (piano); Charles 
          Sewart (violin); Yuko Inoue (viola); Philip 
          De Groote (cello) recorded in Henry Wood Hall, 
          London on 15, 16 and 18 May 2003 
 
          HYPERION CDA 67391 [76.54] [IL] 
        
The 
          Reynaldo Hahn rediscovery moves on apace. 
          Enchanting, nostalgic music. Warm-hearted 
          performances by Room-Music with great sensitivity 
          and lack of condescension ... see Full 
          Review  
        
 
          George Frederic 
          HANDEL (1685-1759) 
          Messiah 
          - Highlights Sara Macliver (soprano) 
          Alexandra Sherman (contralto) Christopher 
          Field (counter-tenor) Paul McMahon (tenor) 
          Teddy Tahu Rhodes (bass) 
 
          Cantillation Orchestra of the Antipodes/Antony 
          Walker Recorded 10-14 July 2002 at the Cardinal 
          Cerretti Memorial Chapel, St. Patrick’s Estate, 
          Manly, Sydney, Australia DDD 
 
          ABC CLASSICS 980 046-9 [73:02] [MC] 
        
Rather 
          lacklustre performances from all concerned. 
          There are many better versions of Messiah 
          available in the catalogues. ... see Full 
          Review  
        
 
          George Friderich 
          HANDEL (1685-1750) 
          Complete Chamber Music CD 
          1 Flute Sonatas CD 2 Violin and Oboe Sonatas 
          CD 3 Trio Sonatas Op.2 CD 4 Trio Sonatas Op.5 
          CD 5 Trio Sonatas for two violins and basso 
          continuo CD 6 Recorder Sonatas 
 
           L’Ecole d’Orphée Recorded in 1991 
          venue not given 
 
          BRILLIANT CLASSICS 92192 [6CDs: 74.22+57.42+60.21+70.18+65.41+66.52] 
          [GH]
        Most 
          enjoyable throughout with no really weak sonatas 
          or movements. I recommend this set to you 
          with every confidence. ... see Full 
          Review  
         
          Patrick HAWES 
          (b.1958): Quanta 
          Qualia; Swan; 
          Italian Song; 
          O Waly Waly; 
          Dressed in Blue; 
          Pavane; The 
          Waters of Love; Blue 
          in Blue; Rain; 
          The Blue Bird Variations Janet Coxwell 
          (soprano) Andrew Busher (tenor) Charles Daniels 
          (tenor) Timothy Bennett (baritone) Hugh Webb 
          (harp) Stephanie Gonley (violin) Jo Knight 
          (cello) Andrew West (piano) 
 
          Conventus English Chamber Orchestra/Patrick 
          Hawes Recorded 4-5 September 2002, St. Jude’s 
          on the Hill, London 
 
          BLACK BOX BBM1081 [66.02] [RH]
        Hawes 
          is a fine composer ...there is only so much 
          melancholy yearning that I can take, no matter 
          how attractive it is. ... see Full 
          Review 
         
          Franz Joseph HAYDN 
          (1732-1809) 
          The Spirit’s Song Piercing 
          Eyes (XXVIa,35) [02:09] She never told her 
          love (H XXVIa,34) [03:40] Sleepy Body (Scottish 
          air)**/*** (H XXXIa,44) [02:36] Pleasing Pain 
          (H XXVIa,29) [03:04] Sailor’s Song (H XXVIa,31) 
          [02:53] The Spirit’s Song (H XXVIa,41) [05:57] 
          Andante con variazioni in f minor (H XVII,6) 
          [17:20] By the stream so cool and clear (Scottish 
          air)**/*** (H XXXIa,19) [02:23] The Mermaid’s 
          Song (XXVIa,25) [03:39] Fidelity (H XXVIa,30) 
          [04:32] Pentland Hills (Scottish air)**/*** 
          (H XXXIa,33) [03:57] Lines from the Battle 
          of the Nile, cantata (H XVIb,4) [12:52] All 
          through the night (Welsh air)*/**/*** (H deest) 
          [04:05] 
 
          Jean Danton, soprano; D’Anna Fortunato, 
          mezzo-soprano*; Julia McKenzie, violin**; 
          Timothy Merton, cello***; Igor Kipnis, fortepiano 
          [John Broadwood, 1796 and 1823] Recorded at 
          the Sonic Temple, Roslindale, MA and in the 
          Romanesque Gallery of the Museum of Fine Arts, 
          Boston, MA, USA. DDD 
 
          NEWPORT CLASSIC NPD 85664 [69:04] [JV]
        A 
          mixture of well-known and seldom recorded 
          pieces by Haydn from the 1790s, in a rather 
          unsatisfying interpretation ... see Full 
          Review 
         
          Alun HODDINOTT 
          (b.1929) 
          Symphonies 
          – No. 2, Op. 29a (1962) [26’55]; 
          No. 3, Op. 61b (1968) [21’28]; 
          No. 5, Op. 81c (1972) [11’03]. 
          
 
          abLondon Symphony Orchestra/aNorman 
          Del Mar, bDavid Atherton; cRoyal 
          Philharmonic Orchestra/Andrew Davis. Rec. 
          aBishopsgate Institute, London 
          on September 24th and/or 25th, 
          1967 (originally issued on Pye Virtuoso TPLS13013); 
          bcKingsway Hall, London, in bMarch 
          1972 (Decca SXL6570), cMarch 1973 
          (SXL6606) ADD 
 
          LYRITA RECORDED EDITION SRCD331 [73’27] 
          [CC]
        On 
          the strength of the present offering, Hoddinott 
          the symphonist demands attention. ... see 
          Full Review 
          
         
          Gustav HOLST (1874-1934) 
          A 
          Winter Idylla (1897) [7’04]. 
          The Cotswolds Symphony in F, Op. 8 
          – Elegy (In Memoriam William Morris)a 
          (1899-1900) [9’02]. Indra, Op. 13a 
          (1903) [12’33]. A Song of the Night, 
          Op. 19 No. 1b (1905) [8’45]. Sita 
          – Act III, Interludea[5’49]. 
          Invocation, Op. 19 No. 2c 
          (1911) [9’28] (all ed. Colin Matthews). The 
          Lure (Ballet Music for Orchestra)d 
          (1921) [8’40]. Dances from ‘The Morning 
          of the Year’, Op. 45 No. 2d 
          (1926-7) [13’45] (both ed. Imogen Holst and 
          Colin Matthews) 
 
          bLorraine McAslan (violin); cAlexander 
          Baillie (cello); abcLondon Philharmonic 
          Orchestra, dLondon Symphony Orchestra/David 
          Atherton. rec. 1982. abcDDD/dADD 
          
 
          LYRITA RECORDED EDITION SRCD209 [76.04] 
          
         
        
This 
          disc magnificently proves that ‘lesser-known’ 
          does not necessarily equate to ‘lesser’ – 
          there are some remarkable finds here. ... 
          see Full Review 
          
        
 
          Gustav HOLST 
          (1874-1934) 
          Two 
          Songs without Words, Op. 22 (1906) [8’03]. 
          Fugal Concerto, Op. 40 No. 2b 
          (1923) [8’04]. Ballet Music from The Golden 
          Goose, Op. 45 No. 1 (1926, 1969) [14’51]. 
          A Moorside Suite – Nocturne (1928, 
          arr. strings) [6’36]. Double Concerto, 
          Op. 49c (1929) [14’23]. Lyric 
          Movementd (1933) [9’57]. Brook 
          Green Suite (1933) [9’57]. Capriccio 
          (1933, ed. I. Holst 1968) [6’02]. 
 
          bWilliam Bennett (flute); bPeter 
          Graeme (oboe); cEmmanuel Hurwitz, 
          cKenneth Sillito (violins); dCecil 
          Aronowitz (viola); English Chamber Orchestra/Imogen 
          Holst. No rec. info. ADD 
 
          LYRITA RECORDED EDITION SRCD223 [75’11] 
          [CC] 
        
Imogen 
          Holst presents a wander through the lesser 
          known back-streets of her father’s output. 
          Fascinating listening. ... see Full 
          Review  
        
Johann 
          Nepomuk HUMMEL (1778-1837) 
          Missa Solemnis in C major (1806) [44:58] 
           Te Deum (1806) [12:01] Patricia Wright 
          (soprano) Zan McKendree-Wright (alto) Patrick 
          Power (tenor) David Griffith (bass) 
 
          Tower Voices New Zealand New Zealand Symphony 
          Orchestra/Uwe Grodd Rec. Michael Fowler Centre, 
          Wellington, New Zealand, 3-5 February 2003 
          DDD 
 
          NAXOS 8.557193 [56:59] 
        A 
          superbly performed release of wonderful music 
          that deserves to be heard. Another sure-fire 
          winner from the high-flying Naxos stable. 
          ... see Full 
          Review 
         
          Mieczysław 
          KARŁOWICZ 
          (1876-1909) Violin 
          Concerto in A major Op. 8 (1902) [27.00] Moritz 
          MOSZKOWSKI (1854-1925) Ballade 
          in G minor Op. 16 No. 1 (1871) [11.25] Violin 
          Concerto in C major Op. 30 (1882) [34.13] 
          
 
           Tasmin Little (violin) BBC Scottish Symphony 
          Orchestra/Martyn Brabbins Rec. Caird Hall, 
          Dundee, 11-12 Sept 2003 
 
          HYPERION CDA67389 [72.38] [RB]
        The 
          most impressive instalment in the Hyperion 
          series. Superb, most beautifully recorded 
          and played. Do give these two unknowns a try. 
          By now I must have played this disc at least 
          ten times for the sheer pleasure of the experience 
          ... see Full Review 
           
         
          Mieczysław 
          KARŁOWICZ (1876-1909) 
          Bianca 
          da Molena - Symphonic prologue from Music 
          for the White Dove, Op. 6 (incidental 
          music to the play by Jozafat Nowinski) [11:11] 
          Serenade for String Orchestra in C 
          major, Op. 2 (March; Romance; Waltz; Finale) 
          [21:25] 'Rebirth' Symphony in E minor, 
          Op. 7: (Andante; Andante non troppo; Vivace; 
          Allegro maestoso) [39:45] 
 
           BBC Philharmonic/Gianandrea Noseda Rec: 
          Studio 7, New Broadcasting House, Manchester 
          8-10 October 2003 
 
          CHANDOS CHAN 10171 [72:45] [RB]
        This 
          fine disc will win many new friends to Karłowicz's 
          cause ... 
          see Full 
          Review 
         
          RECORDING OF THE MONTH Toivo 
          KUULA (1883-1918) 
          Finnish Songs Syystunnelma 
          (Autumn Mood), Tuijotin tulehen kauan (Long 
          stared I into the Fire), Aamulaulu (Morning 
          song), Kesäyö kirkomaalla (Summer 
          Night in the Churchyard), Epilogi, Suutelo(the 
          Kiss), Marjatan Laulu (Marhatta’s Song), Sinikan 
          Laulu (Sinika’s Song), Sinipiika (Blue Maiden), 
          Lauanta-Ilta (Saturday Evening), Jääkukkia 
          (Ice Flowers), Vanha Syyslaulu (Old Autumn 
          Song), Yö nummella (Night on the Moor), 
          Tule Armaani (Comer, my Sweetheart), Inamdran 
          Laulau (Imandra’s Song),Purjein kuutamolla 
          (Sailing in the Moonlight). Leevi 
          MADETOJA (1887-1947) Syksy-Sarja (Autumn 
          Song Cycle) Syksy (Autumn), Lähtö 
          (The Departure), Luulit, ma katselin sua (You 
          thought I was watching you), Hyvää 
          yötä ( Good Night), Lintu sininen 
          (Bluebird), Ijät hyrskyjä päin 
          (Ever against the Breakers) 
 
          Kirsi Tiihonen, (soprano), Satu Salminen (piano). 
          Recorded Järvenpää Hall, Järvenpää 
          , Finland, 25-27 August 1996. DDD 
 
          MARCO POLO 8.225177 [74.11] [AO]
        This 
          fascinating conjunction of nostalgia and forward 
          thinking provides us with some beautifully 
          evocative mood music. ... see Full 
          Review 
         
         
          Charles LECOCQ(1832-1918) 
          La 
          Fille De Madame Angot operetta (1872) (highlights, in French) 
          Lina Dachary, soprano (Clairette), Michel Dens, baritone (Ange Pitou), 
          Joseph Peyron, tenor (Pomponnet), Solange Michel, mezzo (Mademoiselle 
          Lange) 
  Orchestre 
          des Concerts Lamoureux/Jules Gressier Rec. Paris, 1952 Historical 
          numbers from other Lecocq operettas: La Fille de Mme Angot 
          Je vous dois tout; Jours fortunes (Ninon Vallin; Madeleine Sibille) 
          La Jour et la Nuit J'ai vu le jour (Lemichel du Roy); 
          Sous le regard (Emile Rousseau) Le Coeur et la Main Un 
          soir Perez (Lemichel du Roy); Ma Micaela (Emile Rousseau); Couplets 
          du casque (André Goavec) Le Petit Duc Rondeau de 
          la paysanne (Fanely Revoil); Chanson du petit bossu (André Goavec); 
          Potpourri (André Noel, Fanely Revoil); Enfin, nous voici (Louise 
          Dhamarys) La Petite Mariée Le jour ou tu te marrieras 
          (André Balbon) 
          Les Cent Vierges O Paris! Grand waltz 
 
          MALIBRAN MR549 [78.23] [RW]
        The 
          quality of singing is very acceptable ... 
          Dachary radiates an endearing warmth. Clarity 
          is excellent .. the recording under Gressier's 
          direction is highly acceptable. ... see Full 
          Review 
         
          Franz LISZT 
          (1811 - 1886) Hungarian 
          rhapsody #12 (1853) [10.57] La Vallée 
          d’Obermann (1854) [17.54] Légende: 
          St. François de Paule marchant sur 
          les flots (1863) [10.32] Après une 
          lecture du Dante (Fantasia quasi Sonata) (1849) 
          [19.56] 
 
          Martin Berkofsky, Bechstein piano Recorded 
          Sudwest Tonstudio, Stuttgart, Germany, December 
          1984 ADD Notes in English. 
 
          CHRISTOFORI CF 881 [75.44] [PSh]
         
        
A 
          superb, if a little violent, Liszt recital 
          which would benefit from cleaner recording 
          ... see Full 
          Review 
        
 
          Franz LISZT 
          (1811 - 1886) Sonetto 
          del Petrarca 47 (1858) [5.54] Sonetto del 
          Petrarca 104 (1858) [6.02] Sonetto del Petrarca 
          123 (1858) [6.27] Au lac de Wallenstadt (1855) 
          [3.12] Pastorale (1855) [2.07] Épilogue 
          (1855) [3.40] Les cloches de Genève 
          (1855) [6.04] Valse Oubliée (1885) 
          [3.01] Transcendental etude No. 11 "Harmonies 
          du soir" (1852) [5.14] Un Sospiro (1849) 
          [5.14] Liebestraum No. 3 (1850) [4.30] Consolation 
          No. 3 (1850) [4.19] 
 
          Brian Hanke, Yamaha piano Notes in English. 
          Photo of composer and artist. Texts. 
          Recorded 8 March 2003, Calabasas, California, 
          USA 
 
          BRIAN HANKE (private label) [58.45] [PSh] 
          
        
A 
          talented pianist plays virtuoso music ... 
          not recommended ... see Full 
          Review  
        
        
        Detailed listing (last two 
          days)]
          [Part 1 New]  [Part 2 A-B] [Part 
          3 C-L]
          [Part 4 M-R]  
          [Part 5 S-Z]
          [Part 6 Misc A-L]  
          [Part 7 Misc M-Z]