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Carl HÖCKH (1707-1773) Violin Sonatas
Sonata in D [08:50]
Sonata in G [11:48]
Sonata in C [08:49]
Sonata in B flat [11:05]
Sonata in E [11:29]
Sonata in G [08:56]
Sonata in D [09:31]
Mikołaj Zgółka (violin)
Jarosław Thiel (cello)
Aleksandra Rupocińska (harpsichord)
rec. Main Hall of the Witold Lutosławski, National Forum of Music in Wrocław, Poland CD ACCORD ACD255-2 [70:24]
If you have never heard the name of Carl Höckh, there is no reason to be ashamed; I assume that only specialists in music for the violin may ever have heard of him. He is one of those performing musicians and composers who were famous in their own time, but are largely forgotten today. It is thanks to investigative minds like Mikołaj Zgółka that his music is taken off the shelf and that Höckh is given his rightful place in music history.
To my surprise, Höckh has an entry in New Grove, but the information given there is rather scarce and fragmentary. The liner-notes to the present disc add some interesting facts to what is already known. Höckh was born in Ebersdorf in Germany, and received his musical education there from the headmaster of the local school, who taught him to sing, but it is impossible to say how he learned to play the violin. At the age of fifteen, he went to Pruck (now Bruck an der Leita) in Austria to further his education. From 1725 to 1727 he did his military service, while playing horn in the wind band.
He then met the violinist Franz Benda, the viola and horn player Wilhelm Weidner and the flautist Georg Czarth. Together they travelled across Poland. After their arrival in Warsaw, Höckh entered the service of the starost (governor) Fabian Kazimierz Szaniawski; Benda was given the position of Hofkapellmeister. In 1732, Benda left Warsaw to enter the service of Augustus II, Elector of Saxony and King of Poland. When his employer died, Höckh found employment in the orchestra of the court at Zerbst, where Johann Friedrich Fasch was Kapellmeister. In 1734/35 Höckh was appointed concertmaster, a position he held until his death. He also acted as a teacher; among his pupils were Friedrich Wilhelm Rust and Johann Wilhelm Hertel, who were to become composers of fame.
Höckh must have written a considerable number of works, such as symphonies, concertos and sonatas for violin as well as some other pieces for his own instrument. Unfortunately, most of his oeuvre seems to be lost, and the authenticity of some pieces which have been preserved can't be established. An additional problem is that his name is spelled in various ways.
This disc includes seven sonatas for violin and basso continuo from two sources. Two sonatas are taken from a collection published by Carl Philipp Emanuel Bach in Hamburg in 1770, under the title of Musikalisches Vielerley. The two composers may have met in 1750 or 1751, when Höckh performed his violin concertos in Berlin. They met again in 1758, when the Russian army besieged Berlin in 1758 and Bach took refuge in Zerbst. The other sonatas are kept in the Sächsische Landesbibliothek – Staats - und Universitätsbibliothek in Dresden.
All the sonatas are in three movements. In the Dresden sonatas they are in the order slow - fast – fast; in CPE Bach's edition the order is fast - slow - fast. Considering that these sonatas were written for the composer's own use in the first place, they attest to his technical skills, as they include many passages of double stopping, fast arpeggios and large jumps (for instance from the first to the sixth position) and go as high as the eleventh position. Stylistically they bear the traces of the galant idiom. The slow movements have much expression. Zgółka even sees Höckh's violin sonatas as pre-romantic.
There can be little doubt that this is a very important disc. These sonatas are technically challenging, but also musically compelling. Zgółka's performances are impressive, technically and musically. One can only compliment him for digging up these fine sonatas and performing them in such a way that every listener will recognize their quality. Jarosław Thiel and Aleksandra Rupocińska deliver excellent support.
Lovers of the baroque violin should not miss this disc. This is exciting stuff, brilliantly performed.
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