One of the most grown-up review sites around

2019
51,800 reviews
and more.. and still writing ...

Search MusicWeb Here

     
  
 

 

International mailing


  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  

Some items
to consider


Yes we are selling
Acte Prealable again!


we also sell Skarbo

and Oboe Classics


TROUBADISC

with Eggebrecht we get all the excitement we can handle

Book 1 Book 2 Book3
Mota The Triptych: -Website

Asmik Grigorian

Breathtaking Performance
controversial staging
Review Westbrook
Review Hedley
Every lover of Salome should see this recording
Mullenger interpretation

Vraiment magnifique!


Quite splendid


Winning performances


Mahler Symphony 8
a magnificent disc


a huge talent


A wonderful disc


Weinberg Symphonies 2 & 21
A handsome tribute!


Roth’s finest Mahler yet


Mahler 9 Blomstedt
Distinguished performance

 

 

Support us financially by purchasing this from

George Frideric HANDEL (1685-1759)
Enemies in Love: Arias for countertenor and mezzo-soprano
Natalia Kawałek (mezzo-soprano)
Jakub Józef Orliński (countertenor)
Il Giardino d'Amore/Stefan Plewniak
rec. 2016, Corpus Christi Basilica, Kraków, Poland
Full sung texts with translations in English.
ËVOE RECORDS 005 [56:29]

For some reason this Handel album, Enemies in Love, passed me by when it was released earlier this year on Ëvoe Records. Now, I’m delighted to have the opportunity of reviewing this outstanding collection of Handel opera arias and duets. Made up of twelve works in total there are four mezzo-soprano arias sung by Natalia Kawałek, four countertenor arias sung by Jakub Józef Orliński and four duets.

With the “theme of love, jealousy, war, intrigue and religious conflict”, this is a fascinating Handel collection outstandingly sung and although there are several brisker works it’s the slow, more emotional works that have the greater appeal. Polish mezzo-soprano Natalia Kawałek excels in her solo arias, displaying a strong fluid voice and a special talent for vocal expression. Blessed with a robust high register, in Armida’s arioso ‘Furie terribili’ from Rinaldo she exhibits her strong talent for drama. Worthy of special note is Kawałek’s impressive command of attractive coloratura, particularly notable in her aria ‘Volate Amori’ from Ariodante. Also in marvellous voice is Polish-born countertenor Jakub Józef Orliński, with his noticeably clear diction; he demonstrates an impressive slide to his glorious highest notes in the hero’s aria ‘A dispetto d'un volto ingrate’ from Tamerlano. Determined and durable, in Arcase’s aria ‘Furibondo spira il vento’ from Partenope the countertenor convincingly displays his ability for holding notes. From Rodelinda Orliński is similarly memorable in Bertarido’s aria ‘Dove sei,amato bene?’ a beautiful rendition, producing a glorious melancholy. Also from Rodelinda the duet ‘Io t'abbraccio’ between Rodelinda and Bertarido is a highlight, with Kawałek and Orliński impressively communicating the emotional pain of parting. I love the way the partnership combines together both beautifully and intimately in the duet of Romilda and Arsamene ‘Troppo oltraggi la mia fede’ from Serse. Another highpoint is the final track, Arcane and Clizia’s duet ‘Addio, mio caro bene’ from Teseo. Here the lovely interchange and blending of voices between Kawałek and Orliński is rendered with astonishing assurance, producing genuinely tender passion and the results are remarkable. Directing from the violin Stefan Plewniak, adopts generally brisk tempi – often a touch hectic for period instrument ensemble Il Giardino d'Amore who play effectively, displaying real commitment, although at times I wanted a little more composure and style. Of note too is the extended harpsichord part in the aria ‘Vo far guerra’ from Rinaldo enthusiastically played with reserves of vitality by Ewa Mrowca.

Recorded at Corpus Christi Basilica, Kraków the sound is clear and bright without being too thin, although the oboes feel recessed compared to the dominant strings. Additional orchestral colour would have added to the enjoyment of the performance. This is a most successfully produced release with an interesting and helpful essay by Karolina Kolinek-Siechowicz. Most importantly full sung texts with translations in English are provided in the booklet. However, it’s disappointing that the translations are not placed alongside the Italian texts and they are not numbered either.

One of the finest albums I know of Handel operatic duets is performed by Patrizia Ciofi and Joyce Di Donato; this splendidly performed release ‘Enemies in Love’ on Ëvoe Records is in the same league.

Michael Cookson


Contents
1. A dispetto d'un volto ingrate - Tamerlano [5:07]
2. Amor e qual vento - Orlando [4:39]
3. Troppo oltraggi la mia fede, duetto - Serse[2:32]
4. Furibondo spira il vento - Partenope [4:12]
5. Stille amare recitativo - Tolomeo [6:32]
6. Volate Amori - Ariodante [3:36]
7. Io t'abbraccio, duetto - Rodelinda [6:30]
8. Furie terribili, arioso - Rinaldo [1:47]
9. Fermati! duetto - Rinaldo [1:58]
10. Dove sei,amato bene? - Rodelinda [5:05]
11. Vo far guerra - Rinaldo [10:43]
12. Addio! mio caro bene, duetto - Teseo [3:29]

 



We are currently offering in excess of 51,800 reviews


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount



Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger