One of the most grown-up review sites around


2019
51,000 reviews
and more.. and still writing ...

Search MusicWeb Here

     
  
 

 

International mailing


  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  

Some items
to consider

TROUBADISC

colourful imaginative harmony
Renate Eggebrecht violin


Leticia Gómez-Tagle
Chopin, Liszt, Scarlatti


Bax Piano Music


Guillaume LEKEU


 


Superior performance


Shostakovich 6&7 Nelsons
Notable


Verdi Requiem Thielemann


Marianna Henriksson
An outstanding recital


Arnold Bax
Be converted


this terrific disc


John Buckley
one of my major discoveries


François-Xavier Roth
A game-changing Mahler 3

........................................

Bryden Thomson


Symphonies


Vaughan Williams Concertos


RVW Orchestral

 

REVIEW
RECORDING OF THE MONTH
Plain text for smartphones & printers

Support us financially by purchasing this from

Antonio VIVALDI (1678-1741)
I concerti dell’addio (The Farewell Concertos)
Violin Concerto in b minor, RV 390 [12:34]
Violin Concerto in e minor, RV 273 [11:46]
Violin Concerto in B flat major, RV 371 [13:31]
Violin Concerto in C major, RV 189 [15:50]
Violin Concerto in B flat major, RV 367 [13:14]
Violin Concerto in F major, RV 286 [12:52]
Europa Galante/Fabio Biondi (violin)
rec. 2014, Badia Cavana (Abbazia di San Basilide), Italy
Reviewed as 16-bit lossless download from eClassical
GLOSSA GCD923402 [79:47]

Vivaldi concerto discs appear on these pages every month it seems. Rarely do I give them a second glance, let alone a first listen. That doesn’t mean I don’t like the music; quite the contrary, in fact. When this appeared on the New Releases list, I grabbed it with all speed. For me, no one does Vivaldi like Fabio Biondi and his band.

In January 2002, whilst on holiday in the UK, I attended a concert of theirs in the Christopher Wren-designed Sheldonian Theatre in Oxford. There is no doubt that it could have been a tiddlywinks competition and still been wonderful because of the venue. However, despite the uncomfortable hard seats and the foggy weather bringing on an asthma attack for my wife sitting next to me, this was perhaps the most memorable classical concert I have attended. The Four Seasons were transformed from pleasant background music into high drama: it was as though the summer storm was inside the theatre, such was their playing.

I bought their Opus 111 recording of the Four Seasons as soon as possible afterwards, and just about everything that they released on Virgin Classics subsequently, Vivaldi or otherwise. I soon found that almost nothing of their work beyond the Red Priest worked anywhere near as well, Boccherini being perhaps the only exception. The Corelli concertos were disappointing, and the Mozart violin concertos a failure. After the demise of Virgin Classics, there was a Telemann release on the Agogique label: again, underwhelming. Now on Glossa, they return to Vivaldi, and the wondrous verve is back.

These six concertos are from a collection held currently in Brno in the Czech Republic, purchased in June 1741 from the composer by Count Vinciguerra Collalto. The “Farewell” in the title refers to the fact that Vivaldi was within six weeks of death, alone and unappreciated in a Vienna preoccupied with the death of an emperor the previous year. As with essentially all his compositions, precise dates are not known, but Biondi in his intelligent booklet article suggests that they show clear signs of being written late in Vivaldi’s career.

Biondi’s detractors criticise his overuse of abrupt tempo changes, and there is no doubt that some composers suffer from such treatment. However, Vivaldi’s music seems to me to revel in the drama that Biondi creates. One criticism that I have of so many period instrument Baroque performances is that everything is fast, even the slow movements. That is never the case with Europa Galante. I can happily report that these concertos show the group back at their very best. Everything that makes their Vivaldi dazzle and wow is here, but there is also a restraint in places, totally apposite, which I believe is a consequence of the style of these late works.

The recording is very clear, though a little close at times, so that we hear Biondi’s intake of breath. I have already noted the quality of the booklet article, and it is a well-filled disc. I can only celebrate that Biondi and Europa Galante have returned to their natural habitat, and if you have had reservations about them in the past, please give them another try here in works that you are unlikely to know well or at all.

David Barker

 

 

 



We are currently offering in excess of 51,000 reviews


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount



Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger