One of the most grown-up review sites around

54,514 reviews
and more.. and still writing ...

Search MusicWeb Here



International mailing

Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider


paid for


100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas

FOGHORN Classics

Mozart Brahms
Clarinet Quintets

New Releases

Naxos Classical

Click to see New Releases
Get 10% off using code musicweb10

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


REVIEW Plain text for smartphones & printers

Support us financially by purchasing this disc from
Wolfgang Amadeus MOZART (1756-1791)
Sir Roger Norrington in rehearsal and performance
Symphony No. 39 in E flat major K543: rehearsal [28:20]; performance [31:37]
Radio Sinfonieorchester Stuttgart/Sir Roger Norrington
rec. Orchesterakademie Schwetzinger Festspiele, 1996
Format: NTSC 4:3; PCM Stereo
Subtitles: German, French, Spanish
Region Code: 0
EUROARTS 2018168 DVD [60:00]

Eavesdropping on rehearsals can be revealing. Even where the musical rewards are not great the reminder of the amount of sheer hard work that goes into producing any kind of acceptable performance is salutary. Here, however, even when we get only snippets from what was presumably a much longer session, much can be learnt of the reasons for the conductor's approach and how he goes about getting the excellent results he wants. That said, I do wonder whether parts if not all of this rehearsal were staged for the camera. Despite the frequent smiles and even laughter from them I suspect that few orchestras would welcome so much talking to them, especially in a work they must have played many times. I may however be wrong and Sir Roger's undoubted charm and the considerable interest of what he says seem to be sufficient to win over even the most hard-boiled orchestral players. He speaks for the most part in English, which seems to cause the orchestra no problems, and uses large gestures. He encourages and makes suggestions rather than gives orders, and in general adopts a collegiate approach to rehearsal. At one point he tries a passage using different methods of tonguing in the woodwind and at another admits that he has set the wrong speed. He is happy to resort to slow practice of the appoggiaturas in the Finale before he gets the phrasing he wants. All conductors must, of necessity, find their own way of relating to an orchestra but it would be hard to deny that Sir Roger's way is one of the most attractive and humane. As this disc was recorded before he became their director the orchestra presumably thought the same way.

The resulting performance - before what appears to be a tiny audience - is all the more interesting after watching the rehearsal. The first movement brings a fast speed for the initial Adagio - not seen in the rehearsal - but a surprisingly sedate one for the Allegro. Here and elsewhere there is always a sense of direction in the music-making.

Overall this is a disc that gives both pleasure and instruction. My only regret is that more of the rehearsal was not included.

John Sheppard


Advertising on

Donate and keep us afloat



Recordings of the Month


From Ocean’s Floor


Conner Riddle Songs

Rodzinski Sibelius

Of Innocence and Experience


Symphonies 1, 2, 3