Rued LANGGAARD (1893-1952)  
            
            String Quartets - Volume 1 
            String Quartet no.2, BVN 145 (1918/1931) [25:08] 
            String Quartet no.3, BVN 183 (1924) [14:44] 
            String Quartet no.6, BVN 160 (1918-19) [15:06] 
            Variations on 
Mig Hjertelig nu Laenges, BVN 71 (1914/1931) 
            [15:20] 
            Nightingale String Quartet 
            rec. Concert Hall, Royal Danish Academy of Music, Copenhagen, 10-12 
            December 2010, 16-18 June and 19-21 August 2011. DDD
            
DACAPO 6.220575 
 
            [70:18]
	  
 
        
          
            Dane Langgaard is one of those composers routinely reduced to a single 
            characteristic by populist music writers. Where Gesualdo is a 'murderer' 
            and Brahms - regardless of his age! - an 'old curmudgeon', Langgaard 
            is "basically nuts", as a well-known publication starkly describes 
            him in its review of this CD. Yet it is difficult to criticise the 
            composer for his deeply-held religious beliefs - in that regard his 
            
cacoethes has been shared by almost all composers in history. 
            Whereas if he was "nuts" for being an anti-establishment loner, then 
            sanity must surely be overrated. 
              
            The string quartets of Langgaard's generation-older compatriot Carl 
            Nielsen have still to attract the public acclaim they merit. That 
            is due in part to their relative absence from the recital stage, most 
            quartets presumably afraid to venture beyond the solid-gold repertoire 
            of Beethoven, Shostakovich and a few others. In recording terms, on 
            the other hand, Nielsen has been reasonably well served, especially 
            with regard to symphonies, but Langgaard is still at a stage where 
            even his name remains widely unrecognised. 
              
            That needs to change, and Danish label Dacapo have been instrumental 
            in setting the wheels in motion, slowly drawing Langgaard out of the 
            shadow cast by Nielsen - hitherto believed by some to be Denmark's 
            only composer - with their systematic recording of his oeuvre. Pride 
            of place in one respect goes to the 7-CD complete symphonies, recorded 
            by the Danish National Symphony Orchestra under the impressive Thomas 
            Dausgaard (
review). 
            
              
            It does not sweep all prizes, however: besides the fairly hefty price 
            ticket, sound quality is nothing special, despite the 'Super-Audio' 
            engineering. Indeed, other reviews of the recording under consideration 
            have praised its own technical quality, but that frankly says more 
            about the hearing of certain authors than anything. Audio is certainly 
            good in many respects, but almost fluorescently bright, making the 
            disc's shortlisting for the 2013 BBC Music Magazine Awards slightly 
            surprising. Even at 'Super-Audio' specification, Dacapo's engineering 
            seems to lag a little behind that of Scandinavian rivals BIS or Phono-Suecia, 
            and in that respect the premium price the 'SACD' tag attracts is rather 
            high. 
              
            Nevertheless, such are the breadth and depth of Langgaard's action-packed 
            'modernist conservatism', and so persuasive are these readings - in 
            this regard fully deserving of a BBC or any other award - by the young 
            
Nightingale String 
            Quartet, making their debut to boot, that this disc really does 
            demand pecuniary issues be put aside. Some critics do seem to enjoy 
            waxing lyrical over Langgaard's 'wackiness' or 'eccentricity', but 
            really his music merely reflects an inventive fecundity and manifold 
            sense of humour that give rise to memorable music without recourse 
            to gadgetry, affectation or cliché. 
              
            As far as Langgaard's quartets go, Dacapo are in direct competition 
            mainly with themselves - a double disc featuring all the above, plus 
            nos. 4 and 5, recorded by the estimable Kontra Quartet in the 1980s, 
            originally appearing on RCA LPs (
DCCD 
            9302). In all, Langgaard wrote about three hours' worth of music 
            for string quartet, so there should be two more volumes. It appears 
            the Kontra Quartet never did complete their own Langgaard cycle, although 
            in fairness there were still gaps in the scholarship back then. Their 
            accounts of Nielsen's four (BIS CD-503-04) and Holmboe's magical twenty 
            (
Dacapo 
            8.207001), by the way, should be on every music-lover's shelf. 
            Despite the dampened acoustic, the latter is particularly good value, 
            a 7-CD boxed set widely available for half the price of the Langgaard 
            symphonies! 
              
            Booklet notes here are extensive and informative, if slightly rambling 
            in translation, and given a suitably noirish cover. The scene is nicely 
            set for volume 2. 
              
            
Byzantion 
            Collected reviews and contact at artmusicreviews.co.uk 
            
          
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