MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

REVIEW
Plain text for smartphones & printers


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 


Support us financially by purchasing
this disc through MusicWeb
for £14.99 postage paid world-wide.

Edward ELGAR (1857-1934)
A Land of Hope and Glory
Imperial March [5:39]
Vesper Voluntaries [14:54]
Sonata for organ in G major [26:55]
Chanson de nuit [4:58]
Chanson de matin [3:31]
Nimrod from Enigma Variations [3:51]
Pomp and Circumstance no. 1 in D [7:46]
Jean-Luc Etienne (organ)
rec. Jann de l’eglise Saint-Martin, Dudelange, Luxembourg
HORTUS 103 [71:43]


 
Green fields and rolling hills, a pot of tea by the fire – every image of England is represented by Sir Edward Elgar’s music. A giant figure in the Victorian era, his organ music is often overlooked due to the more famous orchestral works. This disc contains all of the compositions for organ as well as some transcriptions of the most well known of his works.
 
The Vesper Voluntaries are a collection of short pieces bound together with a Prelude, Intermezzo and a Coda. They were composed shortly after the composer’s marriage to Alice and are very simple, presumably intended for liturgical use at the service of vespers. The performances are very clear from Etienne. All of the large number of quiet stops available on the Luxembourg organ are earthy and precise, allowing the music to speak for itself.
 
The main event for organ fans is the Sonata. This large-scale work, written for Hugh Blair and Worcester Cathedral’s organ, inhabits the beginnings of Elgar’s most significant orchestral works, particularly the Enigma Variations. The clear structure of the first movement and lyrical themes are well communicated by Etienne, although there is an unfamiliar flavour created by the use of such a French-sounding organ for completely English-sounding music – this isn’t usually how it sounds. English organists barely play any English music and borrow repertoire from other countries, so it makes a nice change to observe the adoption of Elgar’s music by a foreigner. I feel that Etienne’s interpretation of this work also has a French flavour. The second movement is played with a fair amount of rubato, which occasionally interrupts the momentum but the organist’s choice of registration is great – there is a real sense of “orchestration” which works extremely well. The beginning of the last movement sounds just like a Vierne scherzo! The specific notes are lost in the acoustic until a louder registration is selected but overall Etienne handles the work with technical ferocity.
 
The transcriptions on this CD seem somehow less important. All the transcribing was done by contemporaries of Elgar but whilst both Chansons are beautiful pieces, the interpretation here is rather unremarkable. Nimrod is again performed well but no better than any other recording and the depth of sound as well as bumps in the legato are slightly irritating. Imperial March and Pomp and Circumstance are more enjoyable as the sounds of the organ are better suited to imitating a loud orchestra than a quiet one. Both are technically and stylistically well performed.
 
Elgar’s organ music should be more widely performed and this is a great recording if that is your aim. However the transcriptions are a bit of a letdown.
 
Hannah Parry-Ridout