MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

REVIEW


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Chandos recordings
All Chandos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 

alternatively
CD: MDT AmazonUK AmazonUS

Paul HINDEMITH (1895-1963)
Ludus Tonalis (1942) [50:05]
Suite 1922, op.26 (1922) [19:06]
John McCabe (piano)
rec. The Warehouse, Waterloo, London, 18-20 July 1995. DDD
HYPERION HELIOS CDH 55413 [69:13] 

Experience Classicsonline



Pianophiles with good memories may well recognise the cover of this new release: it is all but identical to the original Hyperion issue in 1996. All that has changed, aside from the 'Helios' trimming, is the catalogue number (previously CDA 66824) and the price - Helios being Hyperion's budget reissue banner.
 
Ludus Tonalis is Hindemith's last piano work and his tribute, in a sense, to Bach's Well-Tempered Clavier. Between an opening three-part Praeludium in C and its final mirror-image Postludium, Hindemith takes the listener on an epic, but highly accessible journey through a panoply of fugues, twelve in three parts, and eleven interludes, each of which modulates from one key to the next along. Hindemith subtitled the work 'contrapuntal, tonal and technical studies for the piano', but such an academic epithet says little about the scintillating nature of a work of cornucopian imagination and ingenuity.
 
Hindemith grew to dislike the spirited Suite 1922, which he later said was "really not an honourable ornament in the music history of our time, and it depresses an old man rather seriously to see that the sins of his youth impress people more than his better creations". Its five sections are popular dance forms of that period in America, where he was resident, including a foxtrot, Boston and ragtime, which he had elsewhere referred to as "junk [...] When I run out of any decent ideas I always write such things." Yet Hindemith deals with the pieces in a harmonically more sophisticated and indeed ironic way than is seen in Shostakovich's popular 'Jazz' and 'Variety' Suites, and overall the Suite makes an appealing companion to the more heavyweight Ludus

John McCabe was in his mid-fifties when he made this recording, and quite possibly at the height of his prowess as a pianist. Hindemith's music is much easier on the listener than on the pianist, but McCabe, with his composer's ear and insight, makes light of the technical difficulties to put many of the surprisingly expressive elements within the listener's grasp. 

As far as sound quality goes, Hyperion are not always at their best in orchestral recordings, with a certain muddy quality finding its way into string sections especially, but on chamber and solo discs there is no such problem, and audio quality here is very good. The booklet notes are unchanged from old, with Robert Matthew-Walker's fairly long essay still delivering the goods. The booklet can be downloaded for free from Hyperion's website here.
 
Boris Berezovsky's excellent recording of the same two works on Warner Classics (2564634122, 2006) is still widely available, whilst in Siegfried Mauser's recent recording of Hindemith's complete piano works on the German WERGO label, volumes I and IV (WER 61812, 62502) would both be required to furnish little more than the same, but at twice the cost of the Warner. With new Helios releases selling for under £5 at many online outlets, this represents a substantial bargain for all collectors of the key piano works of the 20th century.
 
Byzantion
Collected reviews and contact at artmusicreviews.co.uk

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 
Error processing SSI file



Error processing SSI file