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            Antonín DVOŘÁK 
              (1841-1904)  
              Six Cypresses from B152 [14:21]  
              String Quartet No.13 in G major, Op. 106, B192 [36:59] 
              Two Waltzes from Op 54, B105 [6:38]  
                
              Cecilia Quartet (Min-Jeong Koh, Sarah Nematallah (violins), Caitlin 
              Boyle (viola), Rachel Desoer (cello)). 
              rec. 20-23 December 2011, Koerner Hall, Royal Conservatory of Music, 
              Toronto, Canada  
                
              ANALEKTA AN 2 9892  [57:58]  
             
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                  The young, rising Cecilia String Quartet deliver a knockout 
                  performance of Dvořák’s thirteenth string 
                  quartet. This is a reading of incredible individuality and it 
                  sounds like nobody else’s, which for such a popular and 
                  beloved piece is really saying something. These four women are 
                  unafraid to be bold, adventurous, different: the first movement 
                  has a symphonic sense of drama, the adagio’s many gear-shifts 
                  feel natural and are spurred on by truly impassioned playing. 
                  Throughout there are tiny touches - portamento here, the slightest 
                  pause to linger on a turn of phrase there - which set the Cecilia 
                  Quartet apart without ever making them sound perverse or wilful. 
                  The final coda is a case in point: you might raise an eyebrow 
                  at the massive hesitation with which it begins, but then the 
                  quartet chugs forward mightily to a mega-exciting finish. In 
                  other words, this is a reading in which the risk-taking is governed 
                  by good taste. It belongs with the best modern recordings, just 
                  shy of the Pavel Haas Quartet’s gold standard. The PHQ 
                  are also young and audacious, with only slightly more wow-factor. 
                   
                     
                  The quartet is framed by shorter works: six of the Cypresses, 
                  B152, adaptations of songs which are here rendered in an appropriately 
                  lyrical, cantabile fashion, and two lovely waltzes, from Op 
                  54, which serve as encores. The sound quality, big and in-your-face, 
                  suits the quartet’s personality and presents it in a thrilling 
                  close setting. The booklet unaccountably fails to give the names 
                  of the Cecilia Quartet’s members, so I have provided them 
                  in the heading; actually Nematallah is mentioned but misspelled. 
                  The booklet also fails to give track timings, so I’ve 
                  listed them below.  
                     
                  Given the rude treatment of these four incredible players, perhaps 
                  you should target this as an MP3 download via ClassicsOnline, 
                  Amazon, eMusic, or iTunes. It is certainly worthy of your attention 
                  for an invigorating hour of playing from a quartet that’s 
                  bold enough to sound like nobody else. The Cecilia String Quartet 
                  are, along with the Parker 
                  and Jasper 
                  Quartets, rising stars on the North American chamber music scene. 
                  Keep an eye on these young women.    
                   
                  Brian Reinhart   
                     
                  Track-listing   
                  from the Cypresses, B. 152 (1887)  
                  2. Death reigns in many a human breast [2:12]  
                  3. When Thy Sweet Glances On Me Fall [2:28]  
                  7. I Wander Oft Past Yonder House [1:46]  
                  9. Thou Only Dear One, But For Thee [2:52]  
                  11. Nature Lies Peaceful In Slumber & Dreaming [2:27]  
                  12. You Ask Why My Songs [2:38]  
                     
                  String Quartet No 13 in G, Op 106 (1895)  
                  Allegro moderato [10:30]  
                  Adagio ma non troppo [10:04]  
                  Molto vivace [5:29]  
                  Andante sostenuto - Allegro con fuoco [10:57]  
                     
                  from the Waltzes, B. 105 (1879-1880)  
                  Waltz No 1 [3:35]  
                  Waltz No 4 [3:03]   
                 
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
                  
               
             
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