Oh, to be multi-talented! Susan 
			  Tomes is the pianist of the much-admired Florestan Trio, and 
			  before that, the quintet Domus. In that role, she is "top of the 
			  pops" for me as chamber musician - her groups' recordings of the Fauré 
                quartets and quintets and Mendelssohn 
                trios, to name but three, are simply 
                marvellous. It is one of my lasting 
                regrets, which I hope to put right in 
                the future, that I have not seen either 
                 Domus or the Florestans in concert, 
                the former not having toured Australia 
                and the latter's tour not taking them 
                to the city where I live.
              
              However, 
                she doesn't simply provide the world 
                with her musical thoughts from the keyboard, 
                but also from the pen. She has written 
                what must be the most informative and 
                intelligent account of being a chamber 
                musician in Beyond The Notes 
                (Boydell Press, 2004), which includes 
                a number of short essays on music. She 
                also contributes regularly to The 
                Guardian and Financial Times 
                as well as broadcasting on the BBC.
              
              The 
                present book is a collection of twenty-six 
                articles, each linked to a letter of 
                the alphabet: A is for Audience, B is 
                for Background Music, C is Chamber Music 
                and so on. Yes, this is somewhat of 
                an artificial way of constructing a 
                collection of essays, but it doesn't 
                really detract from the overall quality 
                of the writing.
              
              By way 
                of example of the style and nature of 
                the articles, I have chosen the first: 
                "A is for Audience", If you'll 
                pardon the paraphrase, it isn't wise 
                to judge an essay by its title: it would 
                be easy to imagine that this is a diatribe 
                against coughers, applauders and lack 
                of attendees. Nothing could be further 
                from the truth: as with each of the 
                articles, it is a comfortable mix of 
                the author's experiences and philosophies 
                - yes, her frustrations do emerge from 
                time to time, but in a very gentle way. 
                She talks about choosing clothes appropriate 
                for the occasion (both as performer 
                and audience member), the relationship 
                between performer and audience, the 
                social context of a concert and the 
                importance of live music in these days 
                of recordings.
              
              Susan Tomes' writing is conversational in 
                the best sense of the word, considered 
                and personal. With each of the essays 
                lasting no more than eight pages and 
                having no direct connection with each 
                other, it is an ideal book to read one 
                "letter" at a time, as a brief 
                escape from a busy life. Mind you, I 
                had to stop myself from reading the 
                whole lot at one go, like eating a bag 
                of lollies. 
              
              I can 
                thoroughly recommend this, particularly 
                when it is being sold at a such a reasonable 
                price. I bought it from AmazonUK for 
                less than £9.
              David J Barker