I know it’s the 
                    significant Shostakovich anniversary this year but it is a 
                    little strange, to say the least, when a company releases 
                    two recordings of his violin concerto no.1, one hard on the 
                    heels of the other and then announces it is ceasing record 
                    production altogether! The two discs in question, it 
                    is true, are not exactly the same since Daniel Hope’s had 
                    both Shostakovich violin concertos whilst Josefowicz’s has 
                    the first and the violin sonata.  
                  When I reviewed 
                    the Hope disc a couple of months ago I nominated it for Disc 
                    of the Month, I was so impressed (see review).  
                    I was impressed with this performance too though Josefowicz 
                    does not quite match the electrifying nature of Hope’s playing 
                    but of course it’s all a matter of taste as I’ve read that 
                    others think differently.  Josefowicz certainly produces a 
                    sweet tone, particularly in the opening movement with the 
                    CBSO accompanying her with the necessary degree of delicate 
                    phrasing in this gentle beginning to one of the great violin 
                    concertos of the 20th century.  Josefowicz is an 
                    extremely intelligent interpreter who has stated that she 
                    would never perform any work without having lived with it 
                    for at least a year. This shows, as does her undoubted admiration 
                    for the work.  Her playing in the lyrical third movement, 
                    for example, is quite beautiful and her cadenza is very persuasive.  
                    The final movement is brought off with panache though in a 
                    less dynamic way than in Hope’s recording.
                  The Violin Sonata, 
                    a late work from 1969, is Shostakovich’s only sonata for violin 
                    and piano and one of the major chamber works of his final 
                    years.  Like much of his writing in this period the music 
                    is sparse but minutely calculated and supremely constructed.  
                    In this work both players rise to the occasion and I’ve never 
                    heard it better performed; it is the finer offering of the 
                    two works on this disc.  
                  This is a fine 
                    coupling and no-one should hesitate in buying it. If both 
                    concertos are required then, for me at least, Daniel Hope’s 
                    disc is the obvious choice.
                  Steve Arloff  
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