First, the frustrating 
                  thing about this self-titled album: I am as much in the dark 
                  as the double bass player on the front cover.  The costs of 
                  providing detailed liner notes are an obvious concern for the 
                  producers of an independent album like this one, but some information 
                  would be nice.  As it is, the notes tell me nothing about the 
                  performers (other than their names) or about the music (other 
                  than the title and the composer/arranger of each piece).  In 
                  fact, neither the booklet, nor the back cover, nor the CD confirms 
                  my suspicion that this disc is indeed a DDD production.  We 
                  are told, however, that BASSINSTINCT do not use pick-ups or 
                  amplifiers, an assertion which is both laudable and audible.
                Now the exciting 
                  thing about this disc: it is excellent.  What we have here is 
                  a collection of original compositions and arrangements, most 
                  of which were written by members of BASSINSTINCT.  The music 
                  is fascinating and expertly played.  The first two tracks on 
                  the album are my favourites: Neige Grave  is driven by 
                  hypnotic African rhythms drummed out on the bodies of double 
                  basses, while a jazzy syncopated melodic line is plucked above 
                  an insistent bass.  The second piece turns the ensemble of double 
                  basses into Middle Eastern strings, faithfully recreating a 
                  distinctly Arabic tonal structure with parallel dissonances 
                  bowed in repeated and refracted phrases over bass-body percussion.
                The rest of the 
                  program charts a course between cool jazz (Meditations), 
                  post-Glass and post-Penderecki contemporary music (Filmrequiem), 
                  Herrmann-esque syncopations (Kurz-long) and tuneful, 
                  song-like numbers (Funky Freedom and Cujoo).  
                  On the whole, I think Herbert's compositions and arrangements 
                  are the most effective.  They make the best use of the full 
                  range of techniques available to players of long strings, from 
                  pizzicato to portamento and beyond.  Not that the other tracks 
                  are not similarly entertaining, but other than Meditations, 
                  they do not seem to have the same drive.
                In short, this is 
                  a great album, and not just for double bass fans.  Those who 
                  like the eclectic blend of contemporary and world-music popularised 
                  by ensembles like the Kronos Quartet will find much to enjoy 
                  here.  Worth seeking out.
                Tim Perry