Only two pieces in 
                this collection may be considered as 
                concertos and are in fact titled as 
                such. Carmichael’s Fêtes 
                Champêtres is more of 
                a suite of three dance movements in 
                an accessible, Gallic idiom often bringing 
                Poulenc to mind. It’s none the worse 
                for that since this attractive piece 
                is enjoyable from first to last. Originally 
                scored for symphony orchestra, it is 
                heard here in a version scored for smaller 
                orchestral forces made by the composer 
                for this recording. 
              
 
              
RVW’s Six Studies 
                in English Folk Song were originally 
                written for cello and piano, but also 
                exist in alternative versions, including 
                one for clarinet and piano. This short 
                work is heard here in Arnold Foster’s 
                scoring for strings made in 1957. 
              
 
              
Leighton Lucas’s music 
                is far too little known. Until this 
                disc I knew only his Symphonic 
                Suite for brass. The present 
                recording of his Clarinet Concerto 
                is most welcome. This is a rather serious 
                and fairly substantial work in three 
                movements exploiting the clarinet’s 
                agility in the outer movements as well 
                as its lyrical potential in the sombre 
                slow movement: more of an elegy than 
                a meditation. This superbly crafted 
                work repays repeated hearings and is 
                a welcome addition. It deserves to be 
                heard more often. 
              
 
              
Procter-Gregg’s music 
                was completely unknown to me. I knew 
                of him only as one of Maxwell Davies’ 
                teachers in Manchester. His Clarinet 
                Concerto is traditional in structure 
                and idiom. The first movement sometimes 
                seems to hark back to Brahms, but the 
                other two movements - a beautifully 
                lyrical Andante and an animated Allegro 
                molto - are obviously closer to the 
                20th Century mainstream, 
                neither reactionary nor progressive, 
                but certainly enjoyable. 
              
 
              
Ian Scott plays beautifully 
                throughout; and all concerned seem to 
                enjoy themselves enormously. I cannot 
                but recommend this attractive collection 
                of unfamiliar, but rewarding works that 
                all deserve much more than the occasional 
                hearing. 
              
 
               
              
Hubert Culot 
               
              
 
              
 
              
  
              
                
 
NOTE: Paul Grunwell has written to MWI to point out that the RVW Six Studies here takes the form of an arrangement for clarinet with chamber orchestra of strings, woodwinds and harp.