Aureole etc.




Golden Age singers

Nimbus on-line




If it’s the Czech works you’re after, do not hesitate

  Founder: Len Mullenger
Classical Editor: Rob Barnett

BUY NOW 

Buy through MusicWeb for £14.99 postage paid World-wide. Immediate delivery direct from Editions Hortus
You may prefer to pay by Sterling cheque to avoid PayPal. Contact for details

Camille SAINT-SAËNS (1835-1921)
Complete Organ Works and Motets Vol. 2 - Samson et Dalila à L'Eglise

Premiere Rhapsodie sur des cantiques bretons op 7 [6'19]
Ave, Maria [2'23]
Deuxième Rhapsodie sur des cantiques bretons [6'13]
Elevation ou Communion op 13 [6'20]
Ave Verum [2'25]
Offertoire-Sarabande [3'02]
Inviolata [4'43]
O salutaris [2'05]
Interlude fugue [3'17]
Tantum Ergo [3'48]
Praeludium en ut mineur [3'20]
Sub Tuum [3'22]
Troisième Rhapsodie sur des cantiques bretons [8'27]
Deus Abraham [3'39]
Vincent Genvrin, organ, Sylvie May (soprano), Francoise Masset (soprano), Catherine Ravenne (alto)
Rec: l'eglise du Gesu, Toulouse 2003?
EDITIONS HORTUS 014 [59'30]

 

Once again, an excellent release from Hortus, the second in their series of discs of the organ works and motets of Saint-Saëns. This disc, focusing on works written for liturgical performance at La Madeleine is perhaps not the most attractive in terms of repertoire. There is really no great music here, but the lovingly musical playing of Vincent Genvrin, surely one of the most talented French organists of his generation, and the slightly over-the-top operatic singing of the soloists, just right in my opinion, serve the music so well as to make this an enjoyable experience.

A major black mark is the booklet however. Hortus's booklets have a habit of missing out important information, but this misses out Saint-Saëns’ dates, the technical data about the recording, in the English text, any information about the organ, and the texts of the motets! Instead we have an interesting (but duplicated in all the other Saint-Saëns discs) essay by Vincent Genvrin and adverts for other Hortus releases. It’s not good enough.

Seeing as Hortus don't want to tell English speakers, I will try to fill in some information about the fabulous Cavaillé-Coll featured here. It was built in 1864, so is an early second-period example (the Romantic period for those who like to divide Cavaillé's work into Classical, Romantic and Symphonic periods), contains just 24 stops over 2 manuals, with a 'real' pedal until middle G and the highest 10 notes 'en tirasse'. Astonishingly never restored, this marvellously preserved example is of course generally forgotten due to the presence of its 1889 monster sibling across town in St Sernin. My fellow writer for Musicweb, Graham Scott, while studying in Toulouse, used to extol the virtues of the Gesu instrument, and, on the basis of this recording it’s easy to see (or hear) why. Cavaillé-Coll, perhaps more than any other builder in organ-building history, had the ability to maximise a relatively small number of stops and make an instrument that was so much more than the sum of its parts. It sounds gorgeous here, aided by the roomy acoustic.

So while the music is not the best Saint-Saëns ever wrote, this is a worthwhile release due to the quality of performances and especially the quality of the organ.

Chris Bragg



Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Return to Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.