Leipziger Schule
  Julia Sophie Wagner (soprano), Eric Schneider (piano)
  rec. 25-27 July 2014, Andreaskirche, Berlin Wannsee
  	  No song texts
  ES-DUR ES2060 [70:17]
	     The first German music conservatory was opened in Leipzig 
          on 3 April 1843. Among the founders were Felix Mendelssohn-Bartholdy 
          and Robert Schumann. They were also on the first teaching staff and 
          later the same year more musicians joined, among them pianists Ignaz 
          Moscheles and Clara Schumann. The term “Leipzig School” 
          was coined by Hugo Riemann in the 1890s. Edvard Grieg, who was considerably 
          younger didn’t come to Leipzig until 1858, aged 15, but by then 
          both Mendelssohn and Schumann were dead. At least the latter’s 
          spirit still hovered over the school and through studying his songs 
          Grieg found his own style, so there is a clear connexion between the 
          four composers on this disc.
          
          The songs are not always among the best-known of each composer but that 
          is not necessarily a bad thing. Schumann’s Widmung is 
          one of his most beloved compositions, but the Schumanns’ joint 
          Rückert ‘cycle’ is a welcome side-track. The opening Der 
          Himmel hat eine Träne geweint is however one of Robert’s 
          finest and Rose, Meer und Sonne should definitely be included 
          in recitals more often. Of the songs by Clara Liebst du um Schönheit 
          is attractive enough, though it is overshadowed by Mahler’s much 
          later setting. She is at her best in Warum willst Du and’re 
          fragen which is a little gem.
          
          Mendelssohn’s songs are also rather neglected today. Dietrich 
          Fischer-Dieskau recorded forty songs with Wolfgang Sawallisch in 1967 
          and they were transferred to CD in harness with a number of Loewe ballads 
          almost ten years ago and issued in EMI’s 
          series “Great Recordings of the Century”. Barbara Bonney 
          with Geoffrey Parsons recorded a CD in the early 1990s and in the early 
          years of the new millennium Margaret Price and Graham Johnson set down 
          a good baker’s dozen for Hyperion. This one I haven’t heard 
          with Ms Price’s creamy tone and usual care for nuance but I am 
          sure they are worth hearing. Ms Bonney and F-D have been valued inclusions 
          in my collection for many years. Mendelssohn’s songs may not be 
          as deep as Schubert’s or Schumann’s, but they are well-crafted, 
          fresh and agreeable – as is his music generally. The songs included 
          here should adorn any song recital with Nachtlied a suitable 
          encore. Readers who buy the present disc and like the Mendelssohn section 
          are advised to explore further in the above mentioned F-D, Bonney and 
          Price issues.
          
          Grieg wrote a surprising lot of songs to German texts, most of them 
          during his student years in Leipzig. His six songs Op. 48 were his only 
          ones in German after leaving Leipzig in 1863. They were published in 
          1889. Though the influence of Schumann is obvious, he puts his own fingerprints 
          in every phrase and the close connection with the folk music of his 
          native Norway is just as obvious. The best known of the six is no doubt 
          Ein Traum, often sung in Norwegian translation as En drøm, 
          but there are several others worth hearing. Die verschwiegene Nachtigall, 
          a setting of Walther von der Vogelweide, with some medieval references, 
          is quite original. The Goethe setting Zur Rosenzeit will perhaps 
          tempt listeners to explore more of Grieg’s oeuvre. A 7-CD box 
          on BIS with Monica Groop is well worth seeking out.
          
          I liked Julia Sophie Wagner’s interpretations on the present disc 
          very much. It’s well controlled singing, nuanced and with considerable 
          dramatic power when necessary. An excellent sample is Grieg-Goethe’s 
          Zur Rosenzeit – it is impressively well sung. Eric Schneider 
          is a good accompanist and my only regret is the lack of texts and translations. 
          Today most of the poems are probably available online but their absence 
          from this CD's documentation is unwelcome.
          
          To sum up: A valuable and perspective-building issue.
          
          Göran Forsling
          
          Track listing
        Robert SCHUMANN (1810 – 1856)
          Widmung from Myrthen Op. 25 No. 1 (Friedrich Rückert) [2:14]
          Robert and Clara SCHUMANN (1819 – 1896)
          From “Liebesfrühling” Op. 37 (Friedrich Rückert)
          No. 1 Der Himmel hat eine Träne geweint [2:28]
          No. 2 Er ist gekommen (Clara Schumann) [2:25]
          No. 3 O ihr Herren [0:58]
          No. 4 Liebst du um Schönheit (Clara Schumann) [2:16]
          No. 5 Ich hab‘ in mich gezogen [2:10]
          No. 6 Liebste, was kann denn uns scheiden? [2:53]
          No. 8 Flügel! Flügel! Um zu fliegen [3:44]
          No. 9 Rose, Meer und Sonne [5:13]
          No. 10 O Sonn‘, o Meer, o Rose [4:35]
          No. 11 Warum willst Du and’re fragen (Clara Schumann) 
          [2:44]
          Robert SCHUMANN
          Mein schöner Stern! Op. 101 No. 4 (Friedrich Rückert) [2:58]
          Felix MENDELSSOHN-BARTHOLDY (1809 – 1847)
          Suleika Op. 57 No. 3 (Johann Wolfgang Goethe) [3:24]
          Oh Jugend, o schöne Rosenzeit! Op. 57 No. 4 (Rheinisches Volkslied) 
          [2:06]
          Wanderlied Op. 56 No. 6 (Joseph von Eichendorff) [2:14]
          Tröstung Op. 71 No. 1 (Nikolaus Lenau) [3:12]
          Frühlingslied Op. 71 No. 2 (August Heinrich Hoffmann von Fallersleben) 
          [2:26]
          Schilflied Op. 71 No. 4 (Carl Klingemann) [3:25]
          Nachtlied Op. 71 No. 6 (Joseph von Eichendorff) [3:12]
          Edvard GRIEG (1843 – 1907)
          Sechs Lieder Op. 48
          Gruss (Heinrich Heine) [1:19]
          Dereinst, Gedanke mein (Emanuel Geibel) [3:02]
          Lauf der Welt (Ludwig Uhland) [1:42]
          Die verschwiegene Nachtigall (Walther von der Vogelweide) [3:36]
          Zur Rosenzeit (Johann Wolfgang von Goethe) [3:20]
          Ein Traum (Friedrich Bodenstedt) [2:28]