Russian Songs and Romances
          Track listing below review
  Elena Obratsova (mezzo)
  USSR TV and Radio Russian Folk Orchestra/Nikolai Nekrasov
  rec. 1981, location not specified
  MELODIYA MELCD1002332 [42.28]
	    This CD was planned in 2014 as a tribute on what would 
          have been her 75th birthday. It now stands as a timely memorial to the 
          Russian mezzo who died in January 2015. She was actually aged 77, not 
          75, as is often believed, including by the producers of this CD; like 
          so many divas, she had knocked a couple of years off her age.
          
          Obratsova was one of that first generation of Russian — or, more 
          accurately, Soviet — singers who were able to have real careers 
          in the West, unlike her immediate predecessors who had been trapped 
          behind the Iron Curtain. Obratsova made her debut as Marina in Boris 
          Godunov at the Bolshoi in 1963 and by the following year had sung 
          at La Scala (Marfa in Khovanshchina). Her British debut was 
          not until 1981 — the year in which this CD was recorded — 
          when she appeared as Azucena in Il Trovatore at Covent Garden 
          with Sutherland, Bonisoli and Mazurok. I saw her twice in that run and 
          remember well the tremendous power of both her chest and high notes 
          and the visceral intensity of her performance. Her last appearance in 
          the UK was at St John's Smith Square in March 2000, when she 
          gave a recital which I, quite unexpectedly, found heartbreakingly moving 
          in the Rachmaninov and Tchaikovsky songs. She told me afterwards that 
          she wanted to come back and give a recital of Hugo Wolf songs, which 
          would have been, at the very least, interesting. She was still performing 
          in 2014, with several recitals in Russia and a performance of the Old 
          Countess in The Queen of Spades in St Petersburg.
          
          The present recital is not of repertoire with which we immediately associate 
          her, but such songs were de rigueur for all Soviet singers 
          of that era. These "romances", as Russians refer to them, 
          are an equivalent to the Neapolitan songs of Italy: populist, melodic, 
          with an emotional range which is perhaps not deep but can be immensely 
          enjoyable and sometimes stubbornly memorable. The programme here is 
          almost exclusively of the soulfully melancholic type of song which might 
          be thought of as particularly Russian. In fact there isn't a 
          single song which could be called truly light-hearted or in a fast tempo 
          and there is a huge preponderance of waltz time. This does not trouble 
          me but some may find the recital a little unvaried. It is, however, 
          very well planned with the selection following a naturally-evolving 
          course. We start with a sentimental waltz, moving to a slightly livelier 
          one before a series of three slower, melancholy songs, followed by a 
          lighter song - and so on. The sequence has been carefully considered 
          and works very well. Several songs such as "All is quiet" 
          and "Calm, so calm" have a distinctly operetta feel. "Why 
          does my heart" is positively music-hall, with a striking resemblance 
          to "Oh, oh, Antonio". All are quite short and none outstays 
          its welcome.
          
          Obratsova is in fine voice. Obviously, none of these songs is remotely 
          vocally taxing, but the light and shade of her phrasing and obvious 
          feel for the style are very impressive. For my own taste, her vibrato 
          would ideally be a little less loose and there is a certain acidity 
          at the top, but, then, that was Obratsova's way throughout her 
          career. The accompaniments are of the typical Russian "folk orchestra" 
          type, with its heavily balalaika and accordion-based sonority, and are 
          very well played, if slightly distantly recorded. The CD is a straight 
          reissue of the 1981 Melodiya LP, hence the rather parsimonious duration.
          
          There are no musical masterpieces on this CD and the more austere listener 
          would doubtless regard its contents as mere kitsch, but I found it hugely 
          enjoyable.
          
          Paul Steinson
          
          Track listing
          An Old Waltz (K. Listov - M. Ruderman)
          'Tis Not You I Love so Ardently (A. Shishkin - M. Lermontov)
          The Moonlit Night (M. Shishkin - N. Yazykov)
          Misty Morning (V. Abaza - I. Turgenev)
          I Won’t Tell You Anything (T. Tolstaya - A. Fet)
          All Is Quiet (music and words by T. Tolstaya)
          Why Does My Heart ... (anonymous, arranged by Ya. Prigozhi)
          A Sad Maiden (A. Gurilev - A. Koltsov)
          Prayer (P. Bulakhov - M. Lermontov; I Haven’t Forgotten You with 
          Years (P. Bulakhov - L. Zhodeiko)
          Calm, so Calm... (anonymous)
          My Old Husband (A. Verstovsky - A. Pushkin)
          Short-Lived Dreams (P. Ladyzhensky - D. Rotgauz, G.Ratgauz)
          A Deep-Red Shawl (anonymous)