There is no misprint: these really are Franz Hoffmeister's 
          
21st and 
24th Flute Concertos, and they are moreover half 
          an hour long apiece. German Hoffmeister was one of the seemingly countless 
          truly prolific composers of the eighteenth century, and the 25 solo 
          Flute Concertos - there are three more double concertos involving the 
          flute - are among around sixty he wrote for various instruments. His 
          two Viola Concertos appeared last year on the last Naxos Hoffmeister 
          release (see 
review), 
          the third of four to date. See also a 
review 
          of his Double Bass Quartets. 
            
          Though Hoffmeister's music was widely admired in his lifetime, he himself 
          paid as much attention to his music publishing business as to composition, 
          and always had one eye on the hobbyist market. So it is that the Concertos 
          are quite conventional: from their 'safe' D major tonality and archetypal 
          fast-slow-fast structure to their elegant tunefulness, they reflect 
          their creator's canny craftsmanship rather than the hand of artistic 
          genius. That is not to say they are ever dull. In fact, there is much 
          to admire, and fans of the flute and the Classical orchestra will pass 
          many an uplifting, mellifluent hour, especially in the good company 
          of Swiss flautist Bruno Meier and the dependable Prague Chamber Orchestra 
          (PCO). Meier's gold flute has an appropriately luxurious tone, and although 
          Hoffmeister's music does not quite demand "extreme virtuosity" or "place 
          severe technical demands on the soloist" as the notes claim, he has 
          no easy ride either. Yet he flutters and cruises gracefully along like 
          a sunlit fritillary on a summer breeze. The PCO have appeared several 
          times before on Naxos, most usually performing Jiří (Georg) 
          Benda, so they are 
au fait with the intermediate demands of this 
          kind of music. 
            
          Sound quality is pretty good. The CD booklet is the usual Naxos effort 
          - slim-but-informative, the notes by Stephan Hörner imparting the 
          most significant biographical and musical detail. The disc is available 
          in Germany with the catalogue number 8.551292 and a subtly different 
          cover. The CD running-time is however equally ungenerous all over the 
          world - it seems very likely that a third concerto would have squeezed 
          on. Naxos promise more to come in this series. 
            
          
Byzantion 
          Collected reviews and contact at reviews.gramma.co.uk