In days of yore when the 33rpm 12” LP reigned supreme 
                  it had competition. It never came to much but there were a few 
                  smaller diameter classical EPs and 45 singles. I remember a 
                  reassuringly very thick BLP EP of Sargent conducting Beni 
                  Mora. It sounded stunning. Since 1983 and the dawn of the 
                  CD era there have been few classical singles. Here is one accommodated 
                  on what is physically the standard size silver disc but in this 
                  case playing just short of 7 minutes. As for the subject I think 
                  Navona must have known that I am a sucker for music from ancient 
                  times (review), 
                  even if of necessity such is highly speculative. The hint is 
                  in the title of this piece by Texan composer Michael 
                  Mauldin. 
                    
                  Remember archaeologist Leonard Woolley’s successful 1938 
                  book Ur of the Chaldees? Ur was the centre of the Sumerian 
                  civilisation in ancient Mesopotamia, now Iraq. Mauldin’s 
                  The Last Musician of Ur is clearly not intended to be 
                  a reconstruction of music from the golden days of Ur. It is 
                  his imagining of the atmosphere of those far distant times but 
                  in the neo-romantic language of today. It is melodic, cinematographic, 
                  atmospheric and all-out orchestral. It owes its existence to 
                  the British harpist Andrew Lowings. Lowings it was who reconstructed 
                  the Gold Lyre of Ur which had been damaged by looters at the 
                  Iraq Museum in Baghdad. The authentic and playable replica is 
                  used here. Its role and balance is however pretty much subsidiary 
                  in the score; no harp concerto here. A lush yet transparently 
                  scored film-score effect is what we hear. The music is very 
                  approachable and has a signature that delicately blends components 
                  of Hollywood epic exotica, Hovhaness, Griffes (Kubla Khan 
                  and White Peacock), Ravel and Debussy. An alluringly 
                  murmuring idea smokes and processes in sinuously diaphanous 
                  style throughout. 
                    
                  More details of the Mauldin-Lowings-Ur project can be found 
                  here. 
                  
                    
                  After this I am left wondering about Mauldin’s other music, 
                  said to be evocative of the rugged beauty and ancient cultures 
                  of his adopted state of New Mexico. There is at least one orchestral 
                  CD of his music: Enchanted Land. 
                    
                  Rob Barnett  
                    
                
                
                   
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                Editor's note: The "single" nature of this recording 
                  has rather caught most online sellers unaware. AmazonUK is selling 
                  it for £9.10, Amazon US for $9 and ClassicsOnline for 
                  $7.99, if you buy it as an album, or $1.59 if you just buy the 
                  one and only track. ArkivMusic seems to be more conscious of 
                  the duration with a price of $3.99.