MusicWeb Reviewer’s Log: August 
                2005 
              Reviewer: Patrick C Waller
              
              I have often wondered 
                why about 99% of my music collection 
                features music written by men. Another 
                hobby of mine is chess and about 99% 
                of great players are men. I have yet 
                to find a good explanation for either 
                of these phenomena. In chess there is 
                one female who bucks the trend (Judith 
                Polgar) but, I wonder, has there been 
                (or will there be) a truly great female 
                composer? At the risk of being shot 
                down in flames, Amy Beach is perhaps 
                the best suggestion I could offer. I 
                do have one most interesting multi-composer 
                disc consisting entirely of 20th 
                century British female composers who 
                wrote for the ’cello. Played by Catherine 
                Wilmers, it contains two short pieces 
                by Margaret Hubicki. Recently, 
                I was pleased to review a splendid new 
                Chandos disc devoted entirely to her 
                music (link 1).
              
              I also reviewed the 
                only available recording of the two-piano 
                arrangement of Bruckner’s 3rd 
                symphony (link 2) and continue to be 
                surprised at how good works like this 
                can be in arrangements for small forces. 
                Colin Clarke was enthusiastic about 
                the recently issued chamber version 
                of Mahler’s 4th 
                symphony on the Avie Label (link 3). 
                I can only echo this – splendid playing 
                from the Manchester Camerata and Douglas 
                Boyd seems to be well inside Mahler’s 
                world. Given its generally light textures, 
                the fourth symphony is probably particularly 
                suited to such treatment. I wonder if 
                there are similar versions of his other 
                symphonies – surely not the second or 
                eighth? The only reservation I had related 
                not to the unusual instrumentation but 
                was whether Kate Royal’s voice really 
                is ideal for the part; nevertheless 
                she sings superbly.
              
              Talking of Mahler, 
                I have a confession to make: I bought 
                the DVD of Ken Russell’s 1974 film which 
                stars Robert Powell as the composer. 
                I saw this in the cinema sometime in 
                the 1970s when I was getting to know 
                the music and was very curious to see 
                it again despite a review in The 
                Gramophone that was fairly off-putting. 
                Bernard Haitink’s Amsterdam recordings 
                were used on the soundtrack – I had 
                the set on LP and they were an excellent 
                introduction. Unfortunately the sound 
                quality here is pretty dreadful – a 
                question of lack of refurbishment because 
                the original sound of this set was fine. 
                Play it through the television rather 
                than the stereo would be my advice. 
                This DVD arrived mid-week and I decided 
                to save it for the weekend. Since it 
                included a trailer, this was used to 
                assuage immediate curiosity and I was 
                soon laughing out loud. The film itself 
                is not for the purist but is entertaining 
                and seems less outrageous now than thirty 
                years ago. The use of music is variably 
                successful but the conclusion of the 
                first movement of the sixth is a striking 
                success at the very end. Powell makes 
                a plausible Mahler and so is Georgina 
                Hale as Alma. So as to avoid politics 
                and religion, I won’t mention Cosima 
                Wagner.
              
              Have you ever wanted 
                something for years and then finally 
                got it? In this case I am referring 
                to Howard Shelley’s complete Rachmaninov’s 
                piano music on Hyperion. An 8 CD set 
                originally issued in a very large box, 
                quite expensive and involving some duplication, 
                this has recently become irresistible. 
                It was the combination of Ian Lace’s 
                very detailed review (link 4) and the 
                new packaging/pricing that did for my 
                money, and I have not been disappointed. 
                Shelley’s Preludes took the palm on 
                BBC Radio 3’s Building a library 
                recently and the whole set is at a similar 
                level. Buy this and not only is aural 
                pleasure guaranteed but you’ll be doing 
                your bit to help keep Hyperion going.
              
              I had to wait about 
                four months to hear Frederick 
                Cliffe’s Symphony No 1 (link 
                5) on the Sterling label after ordering 
                the disc back in March. There are several 
                notable things here – written in 1889 
                it was his opus 1 but is a remarkably 
                assured and interesting work, and it 
                was recorded in Sweden. Cliffe eventually 
                gave up composing but, at least in Christopher 
                Fifield’s hands, this was as good as 
                any other British symphony of the time 
                and well worth resurrecting.
              
              As ever, there are 
                interesting new CDs recently out on 
                the Naxos label. Three orchestral discs 
                I have enjoyed were Guridi’s Sinfonía 
                pirenaica (link 6), William 
                Schuman’s Symphonies Nos 
                4 and 9 (link 7) and Bloch’s 
                epic rhapsody America (link 8). 
                All these works were new to me and seem 
                worth getting to know. It is good to 
                hear that the Schuman is part of a proposed 
                complete series.
              
              Also regarding series, 
                the Chandos Berkeley collection 
                is an excellent project that I have 
                been gradually getting to grips with. 
                Juxtaposing works by Lennox and Michael 
                on the individual discs, it is directed 
                by Richard Hickox. Some time ago I heard 
                Michael Berkeley on the radio say that 
                it is basically "Dad’s symphonies 
                and my concertos". Volumes 3 (link 
                9) and 4 (link 10) are both full of 
                interest and I was particularly taken 
                with Michael’s Cello Concerto.
              
              Finally, I always seem 
                to feel the need to mention Wagner and 
                the fleeting reference to Cosima above 
                doesn’t suffice. Aside from a feeling 
                of anticipation induced by the new EMI 
                Tristan und Isolde (link 11), 
                which hopefully I will come back to 
                next time, the 24-hour Ring (link 
                12) reviewed by Bill Kenny also caught 
                my eye. In John Culshaw’s book Ring 
                Resounding he mentions a US radio 
                station playing the Decca Ring straight 
                through in about 15 hours – I wondered 
                if anyone listened to every note? The 
                very notion of performing the whole 
                thing live in a day goes way beyond 
                that. I expect Wagner would have approved 
                and hope Bill has recovered.
              
              Patrick C Waller
              
              Links
              1. http://www.musicweb-international.com/classrev/2005/July05/hubicki_dedication_CHAN10322.htm
              2. http://www.musicweb-international.com/classrev/2005/July05/bruckner3_mahler_33005912.htm
              3. http://www.musicweb-international.com/classrev/2005/June05/Mahler4_boyd_AV2669.htm
              4. http://www.musicweb- 
                international.com/classrev/2005/May05/Rachmaninov_Shelley_CDS44041-8.htm
              5. http://www.musicweb-international.com/classrev/2003/Nov03/Cliffe_symphony1.htm
              6. http://www.musicweb-international.com/classrev/2005/June05/GURIDI_Sinfonia_8557631.htm
              7. http://www.musicweb-international.com/classrev/2005/June05/Schuman_4_9_8559254.htm
              8. http://www.musicweb-international.com/classrev/2005/June05/Bloch_america_8557151.htm
              9. http://www.musicweb-international.com/classrev/2003/Nov03/Berkeley3.htm
              10. http://www.musicweb-international.com/classrev/2004/Apr04/Berkeley4.htm
              11. http://www.musicweb-international.com/classrev/2005/Aug05/Wagner_tristan_5580062.htm
              12. http://www.musicweb-international.com/SandH/2005/Jul-Dec05/24hour_ring.htm