Narrator
Paul Bunyan
Johnny Inkslinger
Tiny
Hot Biscuit Slim
Sam Sharkey
Ben Benny
Hel Helson
John Shears
Fido
Moppet
Poppet |
Peter Coleman-Wright baritone
Kenneth Cranham speaker
Kurt Streit tenor
Susan Gritton soprano
Timothy Robinson tenor
Francis Egerton tenor
Graeme Broadbent baritone
Jeremy White bass
Roderick Earle bass
Lilian Watson soprano
Pamela Helen Stephen mezzo
Leah-Marion Jones mezzo |
This is a belated first complete recording of Britten's American choral operetta,
which the composer withdrew after its New York premiere in 1941. I have had
mixed responses to it since its exhumation in the '70s, with a broadcast
and eventual successful staging at Snape Maltings shortly before Britten
died. see below
I have seen it twice, at Dulwich College and not long afterwards by the Royal
Opera in exile. This recording comes from their revival at the rebuilt Sadlers
Wells. I have reservations about it as a fully professional piece, and these
remain having heard this quality recording. I enjoy quite a lot of the text
and some of the music, but it is not out of Britten's top drawer, although
a lot does shine through from time to time.
I remain convinced that it is best treated as a school show and can do no
better than quote from my June 1996 review in Guide Magazine:
Performance at Dulwich |
Dulwich College offered the coup of the first UK performances of Britten's
Paul Bunyan by forces as originally envisaged by the composer.
It was composed for American high schools during Benjamin Britten's period
in New York as a war time fugitive with Peter Pears. W. H. Auden provided
the libretto, based on the there familiar myth about a giant of phenomenal
strength, a lumber-jack who single handedly fashioned North America. Drawing
on Broadway musicals alongside Britten's own voice, misunderstood originally
and a flop in USA, Paul Bunyan proved a triumph in May at Dulwich
College, imaginatively staged in the Edward Alleyn Hall, a splendid modern
venue with excellent acoustics. A multitude of schoolchildren
directed by Michael Ashcroft and Peter Jolly, assisted by staff of the Music
and Drama Departments, famous opera director Elijah Moshinsky and numerous
well-wishers, sung, acted and played with style, huge commitment, unflagging
energy and wit. Two cats smooching on top of a grand piano stole the show
for their moment.
The libretto is sharp and interesting, charting pioneering achievement
and ending with warnings about the darker side of modern American society.
A special word for the compilers of the elegant programme book, packed with
background information about this important rarity. An exhilarating theatrical
experience. |
This recording is produced with evident devotion and accompanied by a 160-page
booklet containing numerous photos from the Royal Opera production. But I
persist in finding the chorus being trees, and solo singers geese and animals
rather twee here and sometimes a little embarrassing (though I have no such
problems in Ravel or Janacek!) and the disembodied voice of the eponymous
giant is just too ordinary for me. Susan Gritton as Paul Bunyan's daughter
Tiny sings sweetly, and all the characters are well taken, if sometimes over-loud
for home listening. Full orchestra really has nothing over the school stage
band, and does not make up for the lack of intimacy, whether in the theatre
or at home.
There will be quite other opinions, and this significant recorded addition
to the Britten canon should be reviewed also by someone else, who might approach
it more open-mindedly. Hear it for yourself, and do not be put off by my
cool rating at
Reviewer
Peter Grahame Woolf
Simon Foster has reminded
us that Virgin did the premiere recording in 1988