FRANCIS ROUTH (1927-)
British Organ Music (2)
Gloria Tibi Trinitas
Four Marian Antiphons
Exultet Coelum Laudibus
rec (Gloria) 19 Sept 1981; (other works) 9-10 Nov 1998.
Christopher Bowers-Broadbent
(organ of Coventry
Cathedral)
REDCLIFFE RECORDINGS RR
014
[62.21]
Crotchet
Francis Routh was born in Kidderminster in 1927. At Cambridge he studied
with Boris Ord later at the RAM with Alwyn, and Arnold Richardson. There
were private studies with Mátyás Seiber. He is a dedicated
promoter of contemporary music no doubt to the detriment of his own music.
In 1963 he founded the Redcliffe Concerts of British Music. His works include
concertos for violin and cello, a double concerto for both instruments, a
symphony, and a Sacred Tetralogy for organ. There are also many songs.
The present list is taken from a book published in 1975 so the situation
has almost certainly changed since then.
Routh's organ music is extensive. Gloria tibi Trinitas is the final
panel of the tetralogy. It is in three sections the first suggestive of airy
heights and great spaces unconstrained by boundaries. The Lento
continues this image in some miraculously hushed playing, The Vivace
suggests a rolling and crushing wave. The Four Marian Antiphons
range through worlds of quiet sincerity, resounding and troubled seas of
loud counterpoint, a Howellsian contented cradling (as in 4.01 of Ave
Regina), a steady noisy rising surge and in the Salve Regina a
distanced sotto voce incantation. The Exultet displays a melodic
gift delicate, equipoised and with a sense of moment and of a wide firmament.
There is at work here a composer of eloquence, sincerity and communicative
facility. This is not music difficult to listen to but equally it has nothing
of the fairground about it nor any hint of pandering to the mass values of
'Cool Britannia'.
I am now very keen to hear the concertos and symphony(s).
Redcliffe Recordings is Francis Routh's own company. Its catalogue ranges
far and wide amongst British composers so it is by no means a platform for
Routh's music alone.
There is insufficient biographical background about Routh in the booklet
and it is annoying that the dates for the works are not given. While Routh
writes well the sleeve notes tend to speak from one musician to another -
a pity.
Routh has been fortunate in Bowers-Broadbent and one can only wonder at the
17 years that elapsed between the making of the Gloria recording and
the setting down of the other two works.
Rob Barnett
NOTE Redcliffe can be contacted at Redcliffe Recordings, 68
Barrowgate Road, London W4 4QU ( /Fax: +44
(0)20 8995 1223 Website
See also Biography by David Wright
REMINDER
PREMIERE RECORDING
Graham Whettam Sinfonia Intrepida
BBC Symphony Orchestra Sir Charles Mackerras
Whettam's radically distinctive symphony is an affirmative message of triumph
over the evils of the 20th Century. This landmark in British orchestral music
was commissioned by the Royal Liverpool Philharmonic Society and first performed
by the RLPO under Sir Charles Groves on 18th January 1977.
Redcliffe recordings are proud to announce the release of the premier recording
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This is only available in a limited edition subscription offer. For a
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