CD1
    1. Vout Orenee
    2. Slim’s Boogie
    3. Harlem Hunch
    4. Travelin’ Blues
    5. Cement Mixer
    6. Scotchin’ With The Soda
    7. Dizzy’s Boogie
    8. Flat Foot Floogie
    9. Poppity Pop
    10. Slim’s Jam
    11. That Ain’t Right
    12. Riff City
    13. Mean Mama Blues
    14. School Kids’ Hop
    15. Opera In Vout: The Groove Juice Symphony - Hit That Jive Jack / C Jam Blues / Flat Foot Floogie / Big Noise From Winnetka
    16. Arabian Boogie
    17. Tip Light
    18. Mama’s In The Kitchen
    19. I Don’t Stand A Ghost Of A Chance
    20. Down By The Station
    21. Communications
    Smorgasboard...help yourself!
    22. Laughing In Rhythm
    23. Soony-Roony
    24. Oh, Lady Be Good
    25. Sabroso
    CD2
    1. Babalu
    2. Yo Yo Yo
    3. For You
    4. Yip Roc Heresy
    5. The Hip Cowboy
    6. Chicken Rhythm
    7. St. Louis Blues
    8. I Know What To Do
    9. Taxpayers Blues
    10. Eatin’ With Boogie
    11. I Can’t Give You Anything But Love
    12. Potato Chips
    13. I’m In The Mood For Love
    14. Mishugana Mambo
    Slim Gaillard Rides Again!
    15. Oh, Lady Be Good
    16. I Don’t Stand A Ghost Of A Chance
    17. How High The Moon
    18. Slim’s Cee
    19. One Minute Of Flamenco For Three Minutes
    20. Chicken Rhythm
    21. I Love You
    22. Tall And Slim
    23. My Blue Heaven
    24. Thunderbird
    25. Walkin’ And Cookin’ Blues
    26. Sukiyaki Cha Cha
    27. Don’t Blame Me
     
    Collective personnel
    Slim Gaillard – Vocals, guitar, piano, drums
    Karl George, Dizzy Gillespie, Howard McGhee – Trumpet
    Vic Dickenson, Bennie Green – Trombone
    Jewell Grant, Charlie Parker – Alto sax
    Marshall Royal – Clarinet
    Lucky Thompson, Teddy Edwards, Wild Bill Moore, Jack McVea, Buddy Tate, Ben Webster – Tenor sax
    Fletcher Smith, Dodo Marmarosa, Dick Hyman, Maceo Williams, Cyril Haynes – Piano
    Wini Beatty – Piano, vocals
    Ernie Shepard – Bass, vocals
    Clyde Lombardi, Ray Brown - Bass
    Leo Watson, Zutty Singleton, Herbie Lovelle, Charlie Smith, Milt Jackson – Drums
    Pepe Benque - Bongoes
    The album title is correct: Slim Gaillard was extrovert, but he was many other things in addition. He was a versatile musician, playing the guitar, piano,
    vibes and drums as well as singing. He was unique, in that nobody else devised recordings like his. And he was eccentric, at times almost to the point of
    lunacy. He invented his own language: Vout, which seemed to consist mainly of adding the syllables “vout” and “oreenee” to any expression, and throwing in
    a few other nonsense words for good measure.
    His best recordings often found him in the company of bassists Slam Stewart or Bam Brown. Both Slam and Bam added their own special vocals: Slam by humming
    along to his double bass, and Bam crying out in a ludicrous falsetto. Gaillard also recorded with some of the finest jazz musicians around. This double
    album includes contributions from Charlie Parker, Dizzy Gillespie, Ben Webster and Dick Hyman. The personnels are often uncertain or unknown, with the
    added puzzle of finding Milt Jackson playing the drums on Potato Chips.
    This album is almost worth buying for the guest stars, as it’s worth hearing their input. Ben Webster’s growling tenor sax keeps Potato Chips
    sizzling The most noteworthy offerings occur in tracks 7 to 10 of the first CD, where Charlie Parker and Dizzy Gillespie add enormously to the appeal of
    these recordings, aided by tenorist Jack McVea and a rhythm section of Dodo Marmarosa, Bam Brown and Zutty Singleton. On Dizzy’s Boogie it sounds
    as if Slim is playing the piano in the two-fingered style of Lionel Hampton. Slim’s Jam is a wondrously laid-back piece, with Gaillard introducing
    each soloist in his loony Vout-speak.
    The other highlight of the first CD is The Groove Juice Symphony (the last word is “Special” when introduced by Slim). This is performed by
    Gaillard and Bam Brown before an ecstatic audience, recorded at a Norman Granz concert in 1946. Slim switches from guitar to piano and then drums while
    Brown arouses huge laughter which makes you wish you were there to witness the proceedings.
    Slim’s songs were generally blues with ridiculous vocals on top. But these recordings have a continuous good humour which is hard to resist. Most of then
    have been reissued repeatedly, but this double CD is as generous a collection as you’ll find – and well worth the bargain price.
    Tony Augarde
    www.augardebooks.co.uk