1. Always True to You in My Fashion
    2. In a Mellow Tone
    3. Happy Reunion
    4. Silk Stockings
    5. Purple Gazelle (Angelica)
    6. How Long Has This Been Going On?
    7. I Love You Samantha
    8. Shall We Dance?
    9. By Strauss
    10. Love For Sale
    11. They All Laughed
    12. Who Cares? ( So Long As You Care For Me)
    13. Mood Indigo
    Harry Allen - Tenor sax
    Ehud Asherie - Piano
    Nicki Parrott - Bass, vocals
    Chuck Redd - Drums, vibraphone
    `Little Johnny' Rivero - Latin percussion ( Tracks 5, 10 and 13)
    The sleeve-note writer explains that they decided not to call this CD, `For George, Duke and Cole', in case people expected that it was a tribute to the
    late smooth jazz keyboardist, George Duke. I feel obliged to add that it is also not a tribute to the veteran actor so fondly remembered as Arthur Daley.
    Evidently he isn't such a big noise across the pond.......
    The Washington-born tenorist, Harry Allen, occupies a hinterland somewhere between Coleman Hawkins and Zoot Sims. Allen favours familiar tunes that easily
    adapt to a straightforward, swinging format, so what better source of such material than three of the greatest composers of the twentieth-century. Most of
    the tunes are very well-known - the exceptions being Happy Reunion, recorded by an Ellington small group in 1958, and Purple Gazelle, 
    first recorded by Ellington with John Coltrane in 1962 under the title `Angelica'. And it's worth mentioning that Shall We Dance? has not strayed
    in from `The King and I' but is from the 1937 Astaire/Rogers film written by the Gershwins.
    The opening track, Porter's Always True to You in My Fashion', sets the tone for the rest of the CD: Allen plays a straightforward statement of
    the melody, pianist Asherie and bassist Parrott contribute brief solos, then Allen gets the feet really tapping with a few breezy choruses. It's hardly
    cutting edge, but it's warm, it's accessible and it certainly swings.
    Happy Reunion 
    is a delightful ballad with Allen sounding suitably Webster-ish as he explores the melody. Ehud Asherie adds some nice, Ellingtonian touches on piano.
    Asherie, an Israeli who came to live in New York as a child, is an excellent accompanist for Allen - his playing is firmly in the swing style and he
    contributes several witty solos on the recording.
    Bassist Nicky Parrott also contributes some pleasant vocals on In a Mellow Tone, How Long Has This Been Going On and Mood Indigo, and
    provides a solid rhythmic foundation with drummer Chuck Redd. The quartet expands to a quintet for three numbers where `Little Johnny' Rivero adds a Latin
    beat to provide some contrast.
    Fans of Harry Allen will know exactly what to expect and will not be disappointed.
    George Stacy