CD1
    The Boss Of The Blues
    1. Cherry Red
    2. Roll ‘Em Pete
    3. I Want A Little Girl
    4. Low Down Dog
    5. Wee Baby Blues
    6. You’re Driving Me Crazy
    7. How Long Blues
    8. Morning Glories
    9. St. Louis Blues
    10. Piney Brown Blues
    Alternate Takes: The Boss Of The Blues
    11. Cherry Red (take 3)
    12. Roll ‘Em Pete (take 5)
    13. I Want A Little Girl (take 1)
    14. Low Down Dog (take 4)
    15. You’re Driving Me Crazy (take 1)
    16. Morning Glories (take 4)
    17. St. Louis Blues (take 1)
    18. Cherry Red (take 1)
    19. Roll ‘Em Pete (take 4)
    20. Morning Glories (take 1)
    Joe Turner – Vocals
    Joe Newman, Jimmy Nottingham – Trumpet
    Lawrence Brown – Trombone
    Pete Brown – Alto sax
    Frank Wess, Seldon Powell – Tenor sax
    Pete Johnson – Piano
    Freddie Greene – Guitar
    Walter Page – Bass
    Cliff Leeman - Drums
    CD2
    Joe Turner & Pete Johnson and other 1945-47 singles
    1. S.K. Blues Parts 1 & 2
    2. Johnson And Turner Blues
    3. Watch That Jive
    Frankie Newton – Trumpet
    Don Byas – Tenor sax
    Pete Johnson – Piano
    Leonard Ware – Guitar
    Al Hall – Bass
    Doc West – Drums
    4. Howling Winds
    5. Doggin’ The Blues
    Unknown group probably including:
    Bill Martin – Trumpet
    John Dungee - Alto sax
    Josh Jackson – Tenor sax
    Pete Johnson – Piano
    Dallas Bartley – Bass
    6. I’m Still In The Dark
    7. Miss Brown Blues
    8. Milk And Butter Blues
    9. That’s When It Really Hurts
    10. I’m Sharp When I Hit The Coast
    11. Wee Baby Blues
    George Cohn – Trumpet
    Tab Smith – Alto sax
    Leon Washington – Tenor sax
    Albert Ammons – Piano (tracks 6, 7)
    Ike Perkins – Guitar
    Mickey Sims – Bass
    Red Saunders – Drums
    Porter Derico – Piano (tracks 8-11)
    12. Nobody In Mind
    13. Lucille, Lucille
    14. Rocks In My Bed
    15. Careless Love
    Charles Gray – Trumpet
    Riley Hampton – Alto sax
    Otis Finch – Tenor sax
    Ellsworth Liggett – Piano, harpsichord
    Ike Perkins – Guitar
    Robert Moore – Bass
    James Adams - Drums
    16. Last Goodbye Blues
    17. Whistle Stop Blues
    18. Hollywood Bed
    19. Howlin’ Winds
    Similar personnel to tracks 12-15, but with different pianist
    Newport 1958
    20. Pete’s Boogie
    21. Introductions by Willis Conover
    22. Feeling Happy
    23. Corrina Corrina
    24. Honey Hush
    Pete Johnson – Piano
    Buck Clayton – Trumpet
    Jack Teagarden – Trombone
    Rudy Rutherford – Clarinet, baritone sax
    Georgie Auld, Buddy Tate – Tenor sax
    Kenny Burrell – Guitar
    Tom Bryant – Bass
    Jo Jones – Drums
         
        The last album
    
    that I reviewed by Big Joe Turner was from late in his life, when I sensed a certain tiredness. But the tracks on this double album are from Joe’s golden period in the 1940s and 50s. They
    benefit from accompaniments by a variety of top-class musicians.
    The Boss of the Blues
    from 1956 includes my favourite Turner recording: Morning Glories, which somehow caught my imagination when Joe pronounced “morning” as mewnin’.
    Each track tends to intersperse Joe’s vocals with an instrumental solo by one of the musicians in the backing group, which contains some of the best
    instrumentalists from the orchestras of Duke Ellington and Count Basie. For instance, Cherry Red has a superb solo from trombonist Lawrence Brown,
    while Roll ‘Em Pete has classy boogie-woogie piano from Pete Johnson. The alternate takes have different solos from the accompanists, adding to
    the enjoyment.
    The second CD unites Turner with his long-time colleague Pete Johnson, although Pete is not on all the tracks here, which include some unidentified artists
    alongside well-known musicians like guitarist Kenny Burrell and trumpeter Frankie Newton. Newton is delightfully rhapsodic on the first three tracks. The
    CD closes with five tracks recorded at the 1958 Newport Jazz Festival, where Turner is well appreciated. Pete’s Boogie is a feature for Pete
    Johnson but the other tracks are enhanced by a starry line-up of such musicians as Jack Teagarden and Buck Clayton. Honey Hush (complete with
    honking tenor sax) exemplifies how close Big Joe was to rock ‘n’ roll, even if you call it rhythm ‘n’ blues.
    This compilation is well worth buying at its bargain price, especially as it includes The Boss of the Blues, which has long been regarded as a
    classic series of recordings, especially with the alternate takes.
    Tony Augarde
    www.augardebooks.co.uk