Gale Blowin High
    City Swings
    Buddhist Blues
    You Gotta B Fly
    Mama's Meat Pies
    To Bop or Not to Be
    Picasso at Midnite
    Wisdom of Oz
    Listen Here Listen Up
    General T
    Messengers Burnin
    Tony Adamo (vocal hipspokenword) ; Mike Clark (drums); Donald Harrison: (alto saxophone); Tim Ouimette (trumpet); Michael Wolff (piano); Richie Goods
    (bass); Lenny White (drums (1)); Bill Summers (percussion (1,4,5)) ;Jean C. Santalis (guitar (4))
    URBAN ZONE RECORDS NO NUMBER
    [50:58]
    To those unfamiliar with him Tony Adamo is an exponent of the art of vocal hipspokenword, a compound noun so Germanic it should be bottled and sold over
    the counter. But what is it exactly? Simply what it says: hip or jive talk over a searing bop-drenched band with lyrics so achingly with-it that they will
    either grab or repel. If Eric Gale is the focus on Gale Blowin High, Adamo also runs through other stars in the firmament, providing a parlando
    introduction to the music, accompanied by a wailing alto solo from Donald Harrison. The Hard Bop ethos is convincingly deployed throughout by The New York
    Crew, though Adamo comes close to sounding parodic – the image of a comedic jazz-hipster swivelling on a bar stool and blowing smoke rings into the foetid
    air of a downtown club is one that all too often comes to mind, often accompanied by the tell-tale drawled Adamo ‘maaan’.
    The slow Buddhist Blues (pronounced ‘Boodist’ by Adamo) is festooned by a series of ‘ha ha has’ and the digging of concepts – at least we get no
    down-home digging of potatoes, as that would be an image too raw for comfort. Once again Harrison is the star turn on alto. Hip talk is often only as good
    as it’s witty; Adamo is often so garralous and predictable – Picasso the Modernist (been there, done that 70 years ago) - that he seems stuck in a groove.
    The several mini-précis of Bop history are clearly sincerely meant but they all too often get in the way of the instrumentalists. I’d have preferred to
    have heard more of trumpeter Tim Quimette, for example, and guitarist Jean Santalis. Perhaps it’s best to play one track at a time.
    Jonathan Woolf