3. Sweet Ole Thang
4. Falling Walls
6. Chileno Boys
7. Samba for Two
8. Canção de Ninar
10. Last Call
11. Dancing on Table Mountain
Jay Beckenstein - Saxes
Tom Schuman - Keyboards
Julio Fernandez - Guitars, vocals
Scott Ambush - Bass
Bonny B - Drums, percussion, vocals
Keb' Mo' - Vocals (track 10)
Arijit Singh - Vocals (track 2)
Sandeep Chowta - Strings, duduk samples, tabla programming (track 2)
Pedrito Martinez - Congas
Tosin Aribjsala - Percussion (track 11)
When I was at school, Spyrogyra was the name for a mysterious creature we heard about in biology lessons, without knowing quite what it was. Spyro Gyra is a group that might be called a "one-hit wonder", as (in the UK at least) they have only had one hit with Morning Dance in 1979. They have continued together since then and spend much of their time touring the world. This gave them the idea for this album, showing how world music has influenced their sound.
In fact I didn't realise what the CD was about when I first listened to it, as it just seemed to be the sort of smooth jazz we have come to expect from Spyro Gyra, with Jay Beckenstein's saxophone still the dominant voice in the band - and one of its major attractions. Yet I had noticed some influences in various tracks, such as the reggae beat (emphasis on the third beat of the bar) in the opening Caribe. There is also an obvious Indian feel to Khuda, with vocals delivering lyrics in Hindi. Here and elsewhere, Beckenstein's soprano sax adds an exotic oriental timbre.
The sound of steel drums on Sweet Ole Thang returns us to the Caribbean mood - and they contribute to an attractive sound reminiscent of the catchy Morning Dance. Guitarist Julio Fernandez is featured on the funky Falling Walls, which has a Middle Eastern atmosphere. Julio sings Chileno Boys, which takes us to Mexico, while Shinjuku is in Japanese vein.
Samba For Two and Canção de Ninar use
Brazilian rhythms: the former having a charming rhythm, while the
latter sounds a bit like Mr Wonderful to me! Antigua refers
seductively to a World Heritage city in Guatemala, and Keb' Mo' sings
Last Call with a poignant late-night aura. The closing Dancing
on Table Mountain hasn't got the expected South African feel but
is simply a pleasant jazz-fusion outing.
Spyro Gyra continues to make music which is likable even if it is not particularly profound.