1. Trav'lin' Light
            2. I Must Have That Man!
            3. Some Other Spring
            4. Lady Sings the Blues
            5. Strange Fruit
            6. God Bless the Child
            7. Good Morning, Heartache
            8. No Good Man
            9. Love Me or Leave Me
            10. Too Marvellous for Words
            11. Willow Weep for Me
            12. I Thought about You
            13. P.S. I Love You
            14. Softly
            15. Stormy Blues
            16. Say It Isn't So
            17. I've Got My Love to Keep Me Warm
            18. I Wished on the Moon
            19. Always
            20. Everything Happens to Me
            21. Do Nothing Till You Hear from Me
          Billie Holiday - Vocals, with:
          Tracks 1-8
            Charlie Shavers - Trumpet
            Tony Scott - Clarinet
            Paul Quinichette - Tenor sax
            Wynton Kelly - Piano
            Kenny Burrell - Guitar
            Aaron Bell - Bass
            Lennie McBrowne - Drums
          Tracks 9-11, 13-15
            Harry "Sweets" Edison - Trumpet
            Willie Smith - Alto sax
            Bobby Tucker - Piano
            Barney Kessel - Guitar
            Red Callender - Bass
            Chico Hamilton - Drums
          Track 12
            Bobby Tucker - Piano
          Tracks 16-21
            Charlie Shavers - Trumpet
            Tony Scott - Clarinet
            Budd Johnson - Tenor sax
            Billy Taylor - Piano
            Billy Bauer - Guitar
            Leonard Gaskin - Bass
            Cozy Cole - Drums
           
          Billie Holiday was a singer with a "lived-in" voice which 
            poignantly reflected her years of love lost and found. This bargain 
            package illustrates the fact very well, with two complete studio sessions 
            recorded respectively in 1956 and 1954. As an added attraction, the 
            last six tracks are a bonus from a 1955 session.
          Drink and drugs, as well as unhappy relationships, had contributed 
            to weakening Billie's vocal range by the mid-fifties (she died in 
            1959), yet she could still touch the heart with plaintive but brave 
            expressions of emotion. She had an eloquent vibrato and was happy 
            to straddle the bar-lines, emphasising the messages in even the most 
            conventional songs. And she was unmatched in such touching songs as 
            Strange Fruit and Good Morning, Heartache. Billie's 
            voice was unique - Madeleine Peyroux managed to create a passable 
            imitation of it, but she could never equal Holiday's depth of feeling.
          Billie is backed on these recordings by a starry line-up of musicians, 
            although the focus is generally on her vocals, allowing little space 
            for instrumental solos. On the 1956 tracks, Tony Scott's high-pitched 
            clarinet is not as suitable for accompaniment as Charlie Shavers' 
            muted trumpet or Paul Quinichette's Lesterian tenor sax. Shavers even 
            adds some Harry James-style flourishes to some songs, such as the 
            title-track, which was recorded for the first time on this album.
          The album title comes from the autobiography which Billie co-wrote 
            with William Duffy. This title then became a song, with lyrics by 
            Billie and music by Herbie Nichols, and it was used much later for 
            the film (starring Diana Ross) about Billie's life.
          Besides the songs already mentioned, the highlights of this compilation 
            include I Thought about You, a touching duet with pianist Bobby 
            Tucker; the unfamiliar Softly (introduced by echoing guitar 
            and trumpet); and Stormy Blues (with a swooping solo from altoist 
            Willie Smith).
          The last six tracks give the musicians more opportunities for solos, 
            as well as some deft ensemble passages arranged by Leroy Lovett. I've 
            Got My Love to Keep Me Warm includes nice punctuations and a classy 
            solo from Charlie Shavers, plus a warm solo from tenorist Budd Johnson. 
            Tony Scott's clarinet is more mellow than previously in Always, 
            and Billy Taylor adds a refined solo to Everything Happens to Me.
          The sleeve-note points out that Billie Holiday hated suggestions 
            that her voice in the fifties was not what it had been earlier: "Always 
            comebacks, but nobody says where I've been". In fact this album 
            proves that her voice was just as moving as it ever was.
          Tony Augarde