1. Wind Song 
            2. Georgia on my Mind 
            3. The Other Man's Grass is Always Greener 
            4. Down Here on the Ground 
            5. Up and At It 
            6. Goin' on to Detroit 
            7. I Say a Little Prayer for You 
            8. When I Look in your Eyes 
            9. Know It All 
            10. The Fox
          Wes Montgomery - Guitar 
            Ron Carter - Bass 
            Grady Tate - Drums 
            Herbie Hancock - Piano 
            Bobby Rosengarden, Ray Barretto - Percussion 
            Mike Mainieri - Vibes 
            Gene Orloff, Raoul Poliakin - Violin 
            Emanuel Vardi - Viola 
            George Ricci - Cello 
            Hubert Laws, George Marge, Romeo Penque - Flute, oboe 
           
          Reissued in Verve's "Originals" series, this album was 
            originally issued on the A & M label. It was recorded in December 
            1967 and January 1968 - only a few months before Wes Montgomery died. 
            By this time, Wes was well established as a popular guitarist who 
            disappointed hardcore jazz fans with what they regarded as his move 
            into "easy listening" music. The album's producer was Creed 
            Taylor, who was famous for smoothing out the rough edges of jazz and 
            thereby widening its appeal.
          Nonetheless, Wes Montgomery remained a significant jazz musician, 
            with an instantly recognisable sound characterized by his use of the 
            thumb (instead of a plectrum) for picking the guitar and the frequency 
            with which he played in octaves. Sure, he was backed on this album 
            by strings as well as jazz rhythm but he retains a sure jazz sensibility. 
            Most of the arrangements are by Don Sebesky (with the exception of 
            the title-track and Know It All, arranged by Eumir Deodato) 
            and they put Montgomery at the centre of sympathetic backings.
          Nearly all ten tracks are short, with only one exceeding four minutes, 
            giving an album which lasts for barely 32 minutes. Yet the music is 
            distinguished by its relaxed classiness. The repertoire includes pop 
            songs like the Tijuana Brass's Wind Song and Burt Bacharach's 
            I Say a Little Prayer, but there are also two film themes by 
            Lalo Schifrin and a couple of bluesy originals (tracks 5 and 6) by 
            Montgomery. Perhaps Wes gets closest to his jazz roots in these items 
            and his laid-back interpretation of Georgia on my Mind. His 
            accompanists include some fine jazzmen: notably pianist Herbie Hancock 
            and drummer Grady Tate (whose drums spice up Goin' on to Detroit).
          You can pigeonhole this album as "easy listening" if you 
            wish but it's jazz which is easy to listen to, and I have no complaint 
            with that.
          Tony Augarde