1. Everybody Loves My Baby 
          2. Squeeze Me 
          3. Ain't She Sweet 
          4. Ain't Misbehavin' 
          5. Lulu's back in Town 
          6. Honeysuckle Rose 
          7. I Found a New Baby 
          Jimmy Smith - Organ 
          Quentin Warren - Guitar 
          Donald Bailey - Drums  
            
        
As an organist himself, Fats 
          Waller would probably have appreciated this 
          homage from Jimmy Smith if he had lived long 
          enough to hear it. Whereas Jimmy Smith played 
          the Hammond organ, Fats Waller played the 
          pipe organ and made several memorable recordings 
          on it. I particularly treasure Fats' version 
          of Solitude with its uproarious out-loud 
          comments. 
        
 
        
Perhaps recognising that 
          this is a tribute album, Jimmy Smith is remarkably 
          restrained - for the most part avoiding his 
          more extrovert tendencies. But it is all the 
          more agreeable for this, matching the relaxed 
          air that Waller often brought to his organ 
          solos. Most tracks are leisurely and understated, 
          with minimal input from the guitarist and 
          drummer. And in tunes like Honeysuckle 
          Rose, Smith makes the Hammond instrument 
          sound almost like a pipe organ. 
        
 
        
The album was recorded in 
          1962 and has now been well remastered by Rudy 
          Van Gelder. Only three of the seven tracks 
          are actually Waller compositions - Squeeze 
          Me, Ain't Misbehavin' and Honeysuckle 
          Rose - although the four other tunes are 
          associated with Fats. It might have been nice 
          to hear Jimmy Smith tackling such Waller inventions 
          as Keepin' Out of Mischief Now or Black 
          and Blue, while Jimmy might have found 
          an outlet for livelier improvisations in other 
          Waller compositions like Jitterbug Waltz 
          and The Joint is Jumpin' 
        
 
        
At any rate, despite its 
          short playing-time of barely 35 minutes, this 
          is an engaging album which proves that Jimmy 
          Smith could be laid-back when he wanted to. 
        
 
          Tony Augarde