JIMMY SMITH 
        
Live at the Club Baby 
          Grand, Vol. 1 
        
Blue Note 0946 3 92785 
          2 7 
          1. Introduction by Mitch Thomas 
          2. Sweet Georgia Brown 
          3. Where or When 
          4. The Preacher 
          5. Rosetta 
        
JIMMY SMITH 
        
Live at the Club Baby 
          Grand, Vol. 2 
        
Blue Note 0946 3 92787 
          2 5  
            
          1. Caravan 
          2. Love is a Many Splendored Thing 
          3. Get Happy 
          4. It's All Right With Me 
            
          Jimmy Smith - Organ 
          Thornel Schwartz - Guitar 
          Donald Bailey - Drums 
            
        
Jimmy Smith started as a 
          pianist but it was lucky for us that he heard 
          Wild Bill Davis playing an early model of 
          the Hammond organ and decided to buy one. 
          Jimmy Smith may have been preceded by Wild 
          Bill in taking up the Hammond organ but he 
          established a highly influential style on 
          the instrument: supplying a strong bass rhythm 
          on the pedals and exploring the many possibilities 
          of the instrument's range of sounds. 
        
 
        
Jimmy was signed to the Blue 
          Note label in 1956 and proceeded to make a 
          plethora of albums, of which these two 1956 
          live sessions comprised the third and fourth 
          LPs, now reissued in remastered form by Rudy 
          Van Gelder. Despite the remastering, the sound 
          is sometimes fuzzy, as in Caravan, 
          the first track on the second CD. While I'm 
          considering the downside of these albums, 
          it seems as if Jimmy wasn't quite sure of 
          the melodies of Sweet Georgia Brown and 
          Love is a Many Splendored Thing, so that 
          the theme statements sound approximate rather 
          than spot-on. 
        
 
        
On the plus side, these two 
          albums show why Jimmy Smith was such a pioneer 
          with the Hammond organ. His solos mix long-held 
          notes with streams of staccato single notes, 
          sometimes delivered so swiftly as to sound 
          as if he has more than the normal number of 
          fingers. Meanwhile his feet add a constantly 
          funky bass rhythm which drives the music along. 
          And the blues feeling at the heart of all 
          his playing is evident in tracks like The 
          Preacher. Miraculously, Schwartz and Bailey 
          manage to keep up with him. 
          Neither of these CDs lasts for more than 42 
          minutes, so it seems a shame that they couldn't 
          be squeezed onto a single disc, especially 
          as nearly a minute at the start of the first 
          CD is occupied by a local DJ introducing the 
          trio. Nonetheless, these albums give an interesting 
          taste of Jimmy Smith in his early days. 
        
Tony Augarde