Violin, Viola, (Istvan Kerek) Guitar (Albert 
          Mayer). 
          Double-bass, (Peter Acs). Accordion, (Zsolt 
          Deli). 
          
          1 Violentango. 
          2 Meditango. 
          3 Fuga y Misterio. 
          4 Oblivion. 
          5 Michelangelo. 
          6 Adios Nonino. 
          7 Escualo. 
          8 Milonga del Angel. 
          9 La Muerte del Angel. 
          10 Resurrection del Angel. 
          11 Fugata (Silfo y Ondina No.2). 
          12 Libertango. 
            
        
It would be easy to dismiss 
          this CD by glancing at its unassuming cover. 
        
And we have a seemingly unlikely 
          marriage between Piazzolla, the Argentinean 
          Tango composer, who has only but recently 
          found favour in the UK’s classical strata, 
          with a Hungarian ensemble.
        
 
        
In the Piazzolla Tango lies 
          the spectrum of all human feeling, and despite 
          the fact that the Tango earned its superficially, 
          lurid reputation as the nearest thing to vertical 
          copulation in public, Piazzolla empowered 
          it with a depth of expression far beyond that 
          of a one-night stand. 
        
Here is music that reflects 
          all the joys and sorrows of life. 
        
So where is the Hungarian 
          link? Why is this a powerful CD? 
        
What makes this such a spell-binding 
          musical experience? 
        
Could it be some link between 
          the Hungarian Gypsy inheritance and the exportation 
          of the Spanish Gypsy influences? 
        
This is a classically trained 
          group of musicians who came together in 2002, 
          ten years after Piazzolla died and they intend 
          to be part of the process of Piazzolla’s dream 
          of, "putting the Tango on the concert 
          platform." 
        
The intonation of the double 
          bass never wavers, the guitar is full of sensitive 
          colours, the accordion registrations are beautifully 
          executed, the violin sings and the viola, 
          - an unlikely instrument in such an ensemble, 
          takes on the role of saxophone. 
        
The classical elements are 
          undeniable, there are fugal expositions and 
          hints of sonata development and it is all 
          pushed along by an ongoing desperation encapsulated 
          in a compulsive rhythmic drive 
        
But it is the raw emotion 
          that grips the listener. Ostensibly sentimental 
          tunes are transformed into catastrophe by 
          discords redolent of thwarted desires. 
        
Nervous crises barge into 
          the music like untimely deaths. 
        
This is the reckless world 
          of the uninhibited. 
        
If Piazzolla was looking 
          for exponents to continue the Tango Dream, 
          Quartett Escualo are true disciples. 
        
For Tango lovers and anyone 
          who enjoys deeply impassioned music this CD 
          is a must! 
        
 
        
Adrienne Fox.